by Mayumi-H | Mar 2, 2013 | Fearless
I’ve had a long, tiring week of other people telling me what to do and how to do it, so I decided to make a fiction post strictly for myself. Luckily, Kellie Elmore’s Free Write Friday offered me a prompt that kept me from going completely off the rails. As it is, I’ve adhered only marginally to the confines of the prompt, which happens to be “Serendipity.”
Mature situations described below. Nothing graphic, but you should probably skip it if it’s not your cup of tea.
“Again, for the First Time”
Stehendes Liebespaar, Otto Mueller [public domain image]
The warmth and comfort of his embrace soothed – the easy rhythm of his gentle snoring even more so – but it was nearly tea, and her belly fluttered a bit at the idea of doing something nice for him. So, easing out from beneath his arm, she scooted to the side of the bed and clambered from the blankets, reaching for her clothes.She dressed with quiet speed, but, turning back toward the bed while straightening her dress, she paused, to drink in the sight of him.
Even tousled and dozing, he was fine, a blond, bronzed demigod built lean, long, smooth, and strong. Just the thought of touching him – of him touching her – made her blood pound once more.
Maybe he was wicked, as Sam had warned. But, she’d never shied from risk. And maybe he wasn’t as refined as the boys who used to try to ply her with their stylish clothes and fancy cars. But, they’d never made her come.
Her nerves tingled at the memory, not even an hour old. He’d done it once. He could do it again. And again, and again, and again…!
She closed her eyes, but not looking didn’t stop her from remembering: the smell of the sea in his hair, the taste of it on his lips, the fine scratch of grains against her naked skin where their bodies came together.
When she’d first set foot in this tiny, unassuming village, she’d never dreamed she’d be standing here, flushed and eager for the touch of a man so unlike her norm. She’d wanted only simplicity after watching Mum wither, a fresh start someplace new. Maybe a pleasant distraction, if one presented itself. But not this stirring, this bubbling, this tremendous burst of feeling in her heart that threatened to turn her small and vulnerable again. Next, she’d be telling this beautiful beast she loved him –
Her belly quivered anew, and she opened her eyes. Her cheeks burned as she looked at him again.
Love.
Pulling her lip between her teeth, she stifled a foolish, girlish giggle.
But first, tea.
Coming off the tips of my fingers, this little moment is unrefined and mostly stream of consciousness. But, isn’t that what free writing is supposed to be all about? If not good, at least unfettered? I hope so. Because I don’t even know what good writing looks like, from me, any more.
I’ve spent so long in Ross’s head, examining one of the story’s moments from Amber’s point of view was a treat. She’s girly and a-flutter and I don’t care that she’s not breaking stereotypes or carrying a banner for the feminist revolution. I like her the way she is. Maybe because she’s me, and I’m tired of the sisterhood getting up in my face for wearing dresses that cling and heels that make my calves pop and enjoying the sensation of my husband’s hands on me in a playful grope.
I should probably end with a question, as I’m supposed to do with a blog post, leading you to comment and engage. But I wrote this for me and I only posted it to keep to my schedule. So, instead, I’ll end with a hope: that you are well, free of the pressures of work and rules, and able to indulge unhindered – just a bit – in your own private universe, at least for a little while.
by Mayumi-H | Feb 27, 2013 | Process, Uncategorized
One of the great aspects of sharing our work on the Internet is the tremendous community of people available to see it. Many of these folks can provide valuable feedback, insight, and advice, and they do it for free.
But, just because something comes free doesn’t always make it good. Good critique comes with a price. Often, it’s a monetary price. Make no mistake: that monetary price is worth it, if you’re genuinely interested in getting sharp, honest critique of your work, especially with an eye toward eventual publishing. Not all of us are looking for that, though. Some of us just want to get some more in-depth feedback than, “This is great!” or, “Post more soon!”
For those of you just getting into the tricky business of giving free feedback, here are a few (hopefully helpful) tips.
El editor enmascarado! (public domain image)
- Check your ego at the door.
Whether critiquing someone else’s work or having your work critiqued by another, you must swallow your pride.
For the critic, ego-checking should be pretty easy to do. You’ve been asked to do a job, and your goal should be to complete it to the best of your ability. However, try to rein in any impulses to create a mini-You. Each artist has his own style and story, and trying to rewrite that to fit your own won’t help him become a better craftsman.
For the artist, ego-checking can be slightly more difficult, as our stories often feel like part of us. We’ve invested time, effort, sweat, and tears in them, and to hand them over to another person may induce fear and anxiety. But, whomever we trust with critique, we should listen with open ears to their feedback.
Read that last sentence again. Feedback. Listen. Trust. These are not given – or received – easily, which is why you should also remember point number 2…
- Critique unto others as you would like to be critiqued.
If the critique is genuine, there’s no reason to fear the red pen. Any artist who asks for your help will want you to point out what works and what doesn’t. Because learning where we make mistakes should make us more aware of them in the future, and help us hone our craft.
That being said, remember this is a person who has asked for your help. By nature, people are fragile things, artists often more times so.
When you strike with your red pen, do so honestly. But, be helpful, too. If it’s an error you’re marking, illustrate a corrected example. Issues with the plot, characterization, or pacing? Define them for the artist: let him know where you thought the story slowed down and how he might compensate for that. Tell her why you found the plot meandering and what she might consider changing to pick up the pace. If you don’t like a character but you’re supposed to do, tell the author what traits or scenes counteracted their intentions.
The Golden Rule applies to all interactions, though. Work your red pen as you’d want others to do to you. We all come from different walks of life, and we’ve all got different styles. Which brings me to point number 3…
- Assume nothing.
There’s an old saying that goes, When you assume, you make an “ass” out of “u” and “me”.
Avoid assuming anything before you go into a situation or story. Your artist probably comes from a different background from you, so her story will be different from any perceptions you may have at the outset. Which is why you should try to keep those perceptions under control.
Certain aspects of storytelling will hold true unilaterally, across the board: solid plot, good characterization, proper grammar and formatting. Beyond that, though, you need to let an artist find her own way.
Now, an author should do their own research into the subject about which they’re writing, at least to the point of it being reasonable. I wouldn’t expect someone to get a degree in astrophysics just to write a few lines of dialogue, after all. If something doesn’t seem right, mention it. But keep in mind the geographical, societal, even temporal boundaries of the author’s story. Coffee may be the most popular drink where you are, but if in the story it’s tea, then it’s tea. Live with it. If, on the other hand, the author mentions how Kansas is in South America, you need to correct that. An author looking for guidance will thank you for your attention…or, he’ll have an opportunity to explain his choice. Either way, you’re doing your job as a critic.
So far, I’ve been blessed to have readers who have been equally honest, straightforward, and supportive with their critique when I’ve asked for it. I hope you’ll be so blessed, too, either on the sharp end of the pen or not.
What are your tips for critiquing others’ work? Or, for having your own work ready for critique?
by Mayumi-H | Feb 23, 2013 | Short Stories
I seem to be ping-pong-ing with my challenges, lately. Hope that’s all right with everyone. If not…well, too bad.
This is week 78 for the 100 Word Challenge for Grown-Ups, provided by Julia’s Place. For this week, Julia says the prompt is:
…what does it taste like…
There were no specific rules about including this phrase in our submissions, so I just ran with the spirit of the prompt.
“In His Kiss”
He smelled clean, electric, like a fresh summer rain that prickled her nostrils every time she drew breath. He felt like it, too: skin slick beneath her fingers, lips wet as he pressed them to hers. His body gave off a flowing heat she felt in wavy vapors as he took her in his arms.
Whispering his desires around their mouths, he pulled her to the ground, plucking gently at her buttons.
She let him do it all. Because she couldn’t go back to the farm. Not after that first kiss, when she’d tasted this fate on his sweet lips.
I’d considered calling this one “A Taste of Things to Come,” but, that just made me think of Shang Tsung.
No raunch, this time. Just good, old fashioned sweetness.
can remember to do so. This prompt provided some fun practice.
As writers, we paint with words to describe. Most often, those words relate to the visual sense. But, what are your next favorite senses in description?
by Mayumi-H | Feb 20, 2013 | Fearless, Process, Short Stories, Songbirds
For the scrapheap
Sometimes, a challenge prompt will strike an immediate chord with me, and writing a submission is no trouble. (My Songbirds series vignette “A Deeper Reflection” was one of those easy-peasy efforts.) Other times, a multitude of prompts will converge into a perfect storm of inspiration and interpretation, such as with “Stagger to Sway,” one of my Fearless side stories. And then, there are the times when I’ll start writing one way, go another direction, twist around yet another bend, until I finally end up with a piece suitable for public consumption.
In the case of the “CHERISH” prompt, I eventually settled on a somewhat humorous entry, but below are three other efforts I deemed unworthy, for one reason or another. Take a gander, if it please you.
“Rescue”
That first shriek – echoing along the coastline like a banshee’s wail – made Scott drop his board like it was on fire; Finchy and Niall were already tearing across the sand, arms pumping for speed toward the source of those cries. Scott followed quick as he could do, only to pause at the edge of the scene: a young mum bouncing a screaming little girl close to her breast, while a frazzled dad was on hands and knees, scrabbling in the sand.
“Lost doll,” Niall said, his voice ripe with sour disappointment.
Scott almost snickered, when a glance into that girl’s reddened, snotty face made him think of his own tiny Emma, prompting him to shove both his mates toward the beach with a sharp, “Don’t just stand there. We’re a rescue squad; let’s rescue!”
* * *
“Toothless Shark”
Venus knew they had sex. As quiet as they’d tried to be, the rhythmic creak of used springs was as tattling as a two-year-old. So when she had to creep past their bed to the bathroom, she always kept her gaze trained forward, for the sake of all their dignities. Except for this time, when she glanced reflexively toward the sound of a muffled sniff, and had to cover her mouth and hold her breath against the most itching, adoring whimper, at the sight of Finchy’s face pressed into Amber’s ruffled curls and his fingers linked loosely with hers.
Swinging the bathroom door closed behind her, Venus laughed softly into her palm, wondering what the rest of the crew would think if they saw their resident shark, now.
* * *
“One”
At the precipice, she stood, white and bright and beautiful, the whistling wind swirling her golden curls around her shoulders the same as it ruffled the edge of her dress around her legs.
Seeing her so, warm sweat formed in his palms. He shifted his hands to his sides, to wipe them down, when it suddenly became too late: she grasped his fingers with her own – cool, slender, soft – and moved up close to him, for this moment that would end their lives as two.
They exchanged the words between them, and the precious circles the same. A single kiss, at last, and that was all, to soothe the anxious patter of his heart, and to make them one, for ever.
Now, I don’t think any of these are terrible. I was determined enough to want to finish them, after all (and to be willing to share them, here). But, as you can hopefully see, devoting such effort to these challenges is time-consuming. Even though I’ve decided to cut my blogging down to two posts a week instead of three, these still take plenty of concentration. I don’t like posting my work if I’m not totally pleased with it; I owe you that much.
…Focus…!
So, if you liked any of these scraps at least a little bit, remember this: even if what you write doesn’t make your final cut, keep that effort. Don’t throw it away completely. You never know when you might need that smile.
Where do you keep your scrapped efforts? Have you ever used a scrapped effort to start a new project?
by Mayumi-H | Feb 16, 2013 | Fearless, Short Stories
My go at this week’s Five Sentence Fiction prompt from Lillie McFerrin: CHERISH.
If you aren’t familiar with Five Sentence Fiction, Lillie gives us a one-word prompt, and we’re to write a five-sentence story on what it means to or evokes in us. We don’t have to use the specific prompt word, by the way.
If the word strikes a chord in you, too, why not pop by Lillie’s site and have a go? Challenges are up Thursday through Wednesday, so there’s still plenty of time to join in on the fun!
“You Never Forget Your First”
Blowing a breath of appreciation between his lips, he laid her down in the sand, smoothing his hands along her curves. The touch of her sparked a familiar rush, a deep longing like ancestral memory aeons old. Soon, he’d press his body to her, and they’d be together, like one, fast and free and eternal, if only for a moment.
From over his shoulder, Amber gave a tsk, and muttered, “Sometimes, I think you love that board more than you love me.”
Ross just snickered, replying, “You never forget your first.”
The memories of first loves tend to linger, no matter who – or what – they are. Sometimes, you just have to accept them along with the one you love. (Ross’s custom Keahana board, for anyone interested, is a variation on the Skindog pintail Noserider design. Because you always remember your first.)
[vimeo 2300726 w=297 h=216]
What part of your past – or present – do you CHERISH?
by Mayumi-H | Feb 13, 2013 | Fearless, Persona 4 Fan Fiction, Process
I was going to put up a post about how to give good (amateur) critique, but I decided to go a different direction, because I saw this come up in my hit statistics…again:
Am I really this predictable?
For those of you who are sensitive to the subject of sex, you may want to steer clear of this post and come back on Saturday, when I’ll post some original fiction. For those of you brave enough to continue, though, let’s get wet!
“So…did you?” Niall asked, and Ross blinked.
“Did I what?”
“Have a bang on the beach last night,” Niall said, and gave a distasteful waggle of his tongue.
Ross scowled. “Sex on a beach is tacky,” he said, which was true…not to mention, sand had a tendency to get everywhere, which also made it damn uncomfortable.
Every good romance has some naughtiness to it, whether it’s of the fade-to-black kind or the in-your-face variety. I’ve written both, and I’m of the opinion that each version has its merits…and demerits. No matter how you choose to write your raunch, though, there are a few practicalities to keep in mind:
1.) Sex on a beach is tacky.
It’s an orgasm metaphor.
Let me save you the trouble: having saltwater shoot up your nose while you’re snogging your lover is not a pleasant feeling, no matter how locked your lips are. We’re not even going to talk about how crashing water will make a swimsuit move all over the place, creating uncomfortable ripples and folds more likely to cause laughter than lust, or how sand does, in fact, have a tendency to get everywhere. Even a wetsuit won’t keep that pesky stuff off your skin. Which is why you should always rinse off before you hit the sheets for a post-surf romp, unless you want to be cleaning sand out of your bed for weeks.
A beach can be a romantic place for a tryst, to be certain. Just be certain to remember what else is on a beach, too.
2.) Water is not the same as lube.
“Come on in! The temperature’s fine!”
But, when it comes to sex, be aware of the surroundings, especially if it’s water. We’ve all heard the story that you can drown in even a puddle of water, but water can also counteract the benefits of personal lube. The human body produces its own lubricant, which is designed to smooth out the sometimes-rough mechanics of sex. Water, on the other hand, being the excellent cleaner it is, has a tendency to wash away that lubricant.
Yikes.
So, next time you think about putting that steamy sex scene in a steamy shower, keep in mind the details of such a situation. And that’s not even mentioning the aforementioned issue of rushing water in the face and up the nose….
3.) You’d never mistake a pool for a condom.
A swimming pool offers all the joy and excitement of a midnight skinny-dip without the associated danger of salt poisoning and night feeders.
The dating scene is full of sharks of all kinds….
Which brings me to my last point:
4.) Lovemaking can be lovely, any place.
Don’t let me discourage you, or your characters. On the beach, underwater, in a pool, even in the rain: sex between two people brought together by love can be beautiful, in any location and under any circumstance, so long as you make it so. Even in the typical locale of a shared bed, sex can be thrilling, romantic, ecstatic, funny, relaxing, fulfilling…all this and more. It’s truly about what your characters – and your readers – feel from that love that’s important.
Just remember to think before you put them in a wet situation. 😉
Have you ever written a watery sex scene? Would you ever write one? Why, or why not?
by Mayumi-H | Feb 9, 2013 | Short Stories, Songbirds
Only one prompt this time, for 100-Word Challenge for Grown-Ups. This week (76), Julia’s prompt is:
…beneath the surface…
We are to “keep to the 100 words plus the 3 above,” giving us a total of 103 words to tell the story.
This one came pretty easily to me, as I cranked it out in about an hour. But, then, I think this is likely a situation close to many of our hearts, not just my own….
“A Deeper Reflection”
Doodling the bod
Fixing her gaze on her disrobed reflection, Sally sighed.
What lay beneath the surface was more important, she knew…but, what had happened to that surface? The flat belly, high breasts, slim hips – where had they gone?
The creak and click of the bedroom door, signalling Larry’s return, made her scramble for pants and bra.
His warm, damp embrace stopped her. “Just a mo’.”
Cringing from his tickling hair, she laughed, despite herself. “You’re wet!”
“You’re gorgeous,” he replied, nuzzling her neck.
She hummed. “You think?”
He plucked her clothes from her hand; they fell to the floor with his towel. “I know.”
I have some writerly friends who can use this short form of storytelling to weave tales of excitement, danger, whimsy, and mystery. I can manage that, on occasion. Mostly, though, these prompts tend to lead me to more mundane places, such as Sally’s fretting over her aging, motherly body…and Larry’s still-full love of the same.
Writing for these Songbirds often feels like writing my own life (sans the fantastic timey-wimey stuff, of course). Maybe that’s why I keep coming back to them. I suppose I should feel blessed that my life and loves are basically happy. And, I certainly am. It doesn’t exactly make for riveting storytelling, though.
How did you look beneath the surface, this week? Let me know!
by Mayumi-H | Feb 6, 2013 | Persona 4 Fan Fiction, Process
I think all of us writers write for joy: we’re driven to create worlds with words, just as painters create with their palettes and brushes. But, some of us are looking to push further with our words, to reach a greater audience. We want that valuable place on someone’s bookshelf (or a tab in their e-reader).
There are many, many stages to becoming a published writer. First, you’ve got to have a story. You write, you edit, you tweak. You set it aside, write something else, come back again. You send out copies to betas. You find a critique partner. You get yourself a story editor and a copy editor (maybe they’re one and the same, maybe not). You tap the brain of your old journalism buddy to help you write a tagline. You treat your friend in advertising for help with your sales pitch. You scour the Internet for tips on writing a great query letter. I could keep adding to this list forever…!
There are some terms and abbreviations many if not all writers use, these days. I’m going to start off a list of them, because I know some of them puzzled me when I first saw them. So, hopefully, you can learn from my ignorance. (Hey, at least I’m good for something!)
I write in English…yet, sometimes, it feels like a foreign language!
- ARC – Advance Reading Copy (or sometimes Advance Review Copy), an almost-ready-for-publication copy of the manuscript (which may still have a few errors) that is sent out prior to publication in order to be reviewed. (provided by Vanessa-Jane Chapman)
- Beta Reader (beta): A beta reader is a draft-reader. Often, someone with whom you can bounce off your early draft ideas. Some folks like to offer beta readers a very loose first draft; others give their betas a close-to-finished product. That’s your decision, as a writer. Many family members or friends should be considered beta readers, since – odds are – they’re not professional writers and/or editors…and their job is really to boost your confidence. Beta readers can also become Critique Partners.
- Bio: Not the class at school, but your Author’s Biography. Your biography is where you can toot your own horn about your writing/publishing experience, your outlook, what awards you’ve won, and so on. Be careful to keep this short and sweet, especially if you’re writing a Query letter.
- Critique Partner (CP): For the longest time, I’d see people mention CP and think they were talking about Unix commands! Then, I realized they meant Critique Partners. A critique partner is like a beta reader on steroids. This is someone you truly trust with your story, to show you where there are plot holes and lag, but also where your dialogue is fresh and your description vivid. It’s a marriage relationship between writer/reader: you give honest, helpful critique, and you get honest, helpful critique in return. It’s not a relationship to enter into lightly. Critique Partners are sometimes a writer’s last personal step before they ship a manuscript off to an editor or agent.
- Draft: A story in not-yet-finished form. Some writers make only one – their first – draft, before shipping their story off to an editor, agent, or publisher. (I think I’m on draft 6 or 7 of my novel….) It all depends on the type of writer you are.
- Graf/Graph: A shortened way of writing “paragraph.” It’s got nothing to do with statistics or charts.
- Ed: Not just some random guy (or horse), “Ed” is short for “Editor,” one of the most valuable partners for your book you’re likely going to have. You might already have a good story, but a competent and careful editor can make that good story a great one.
- Hook: A concise summary of your story, usually no more than one sentence. AKA the Tagline for your book.
Some folks also use the term “hook” to refer to the bit at the end of a chapter that will make the reader want to keep turning your pages. No matter how you use the term, though, it almost universally refers to the reason to keep reading.
- Manuscript (MS): MS is just a faster way to write “manuscript,” which is just another word for your story. Stories in many stages can be manuscripts, but I personally favor reserving the term for a story in its completed form (edited or not); I wouldn’t call a series of scenes mashed together into the same document a “manuscript.”
- Mini-Synopsis: Used for Query letters. See “Synopsis” for an explanation … only the Mini-Synopsis is much more concise, usually only one paragraph.
- Multiple Submissions/Simultaneous Submissions – Important to understand the difference because some publishers/agents specify that they don’t accept one or the other. So, Multiple Submissions is sending more than one book idea or proposal to a particular publisher or agent at the same time. Simultaneous Submissions is sending out one book idea or proposal to more than one publisher or agent at the same time. (provided by Vanessa-Jane Chapman)
- Protag: Short for “protagonist,” or, the hero(ine) of your story. Funnily enough, I see/use the term protag all the time, yet I don’t think I’ve ever seen anyone use the shortened “antag” for “antagonist.” Go figure.
- Query: A query is the letter you send to agents and publishers. It consists of three parts (usually a paragraph each): your Hook, your Mini-Synopsis, and your Author’s Bio. Go here for some more in-depth discussion on writing a query letter.
- Synopsis: Um, just what it says: a concise synopsis of what your story is about. Pluck a book from your shelf and look at the back cover or inside jacket. Usually, that’s where you’ll find the synopsis. Study how to write these, especially if you want to write a successful Query letter.
- Tagline: See “Hook.”
- WIP – Work in Progress. The current writing piece you are working on. (provided by Vanessa-Jane Chapman)
I know I’m missing terms you probably use all the time. So, please feel free to add them in the comments section, and I’ll update this list periodically. If you supply the definition, I’ll be certain to link back to your blog or site, too, so don’t be shy!
by Mayumi-H | Feb 2, 2013 | Short Stories
Is anyone surprised I’m combining prompts again? This week, it’s Lillie McFerrin’s Five Sentence Fiction prompt of “DELICATE,” as well as Julia’s Place’s 100-Word Challenge for Grown-Ups (week 75, for those of you counting). The 100WCGU prompt is this picture:
Full photo can be found at Julia’s Place
Additionally, Julia asks us “…to close your eyes and imagine you are one of those figures looking out over the Grand Canyon. Your 100 words can either [be] the conversation that might happen or your thoughts as you look and experience the scene.“
First-person pieces are not my forte, and I didn’t exactly follow the rules. But, this could be one conversation that might happen, just not to me….
“At the Edge”
We approached the edge side by side, but not together; I was only supposed to be his guide, after all, a familiar face to show him some wonders on his American holiday, nothing more.
“Beautiful,” I murmured when we reached the rail; there was his hand, settled so close, but who knew what might be said if anyone noticed. “It always makes me feel insignificant, like a snowflake in a storm.”
“Singular, perhaps,” he said, “but, hardly insignificant.”
Something in his voice made me look up, into his face, just as he took my hand, whispering, “I’ve left my wife.”
(forgive the rushed job on the hands, please; I did this one in about an hour)
As indelicate as this situation is, it’s one close to my heart. Am I venturing too much into reality? Or, does this still smack of fiction to you? I feel like I’m blurring the lines more and more, these days.
What conversations did you have as you looked out over the Grand Canyon this week? What did you think? Something DELICATE, or not? Feel free to let me know!
by Mayumi-H | Jan 30, 2013 | Process
Many artists – sculptors, poets, fantasists of all kinds – attribute inspiration for their work to what they call their Muse.
“Hesiod and the Muse” – public domain image
Not to be cruel. Because, as artists, we’re all rather flighty individuals, with our minds dwelling at least a little bit in the clouds. That’s okay. Without dreamers, society would be pretty boring. Actually, it likely would have died away by now, without any high thinkers, who wrote some of the most important words of our civilization, from “Shall I compare thee to a summer’s day?” to “We hold these truths to be self-evident….”
But ascribing your talent to some sort of divine guidance is – oh, I’m just going to say it. It’s kooky. More than that, though (and I’m going to catch a lot of flak for this, I know), it’s lazy.
Now, before my ever-dwindling group of blogging and writing friends decides to pull out the lynch ropes, let me clarify.
I’m not talking about artists who decide they need to step back from their art and re-prioritize; those folks know they’re just putting a muzzle on their Muse for a bit. Nor am I talking about the artists who simply know themselves well enough to decide they’ll make their art when it suits them, all in good time.
I’m referring to the people out there who complain they have no inspiration to create…while they can still pick up a videogame controller for hours on end, or head out to the pub the whole weekend long. That has nothing to do with the attention of your Muse.
Now, I completely understand the charm of having some seraphic creature looking over your shoulder, telling you which way to move your pen. And I, myself, believe that – in the throes of a story – a character or characters can take over, using their voices to weave new and intricate tales I’d never even considered while I was in the plotting phase.
But, don’t be misled by the flowery notion of a Muse. Those character voices are your voices. Any new paths toward which they may pull you are functions of your own creative subconscious. It’s a wonderful experience, to guide a story in an unexpected direction, based on the whim of a single word or phrase. But you have created that word, those phrases, that heretofore unknown story arc that turns your hunter into the hero, or your princess into the warrior demon. It didn’t come from any outside force.
What are you waiting for?
It’s not the idea of the Muse with which I take issue. I take issue with the idea of waiting on a Muse to move your pen (or hammer, brush, bow, or lens). That takes the power of creation away from the artist. Even worse, it takes away the responsibility for that creation. When an artist whines, “I’m waiting for my Muse,” that’s just an excuse for being lazy.
You cannot wait for some capricious, aetherial harlot to come knocking on your door, tapping at your shoulder, whispering into your ear that now is the time for you to make real all your hopes and dreams. No outside force is going to make your art for you. You are the only one capable of that. You. Or, I. Nobody else.
Blaming a Muse for lack of inspiration or failure to produce the story, the music, the picture you want is a cop-out. When you call – when you make the choice to apply yourself to your art, whatever it may be – your Muse will come. And, if she doesn’t, you go get her. You grab her by her flowing toga, and you drag her over to your workstation. Because you can’t afford to wait for her.
Because you are your own Muse.
[youtube http://www.youtube.com/watch?v=3C3poU_0sK4]
Now, for those of you still with me after that little tirade, tell me: How do you motivate yourself?
_-_ca1919.jpeg "Otto Mueller - Stehendes Liebespaar (klein) - ca1919")
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