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100WCGU: Fade to Grey

It’s Week 68 for Julia’s 100-Word Challenge for Grown-Ups! This week, Julia gives us the prompt of:
GREY

We’ve got 100 words to use to interpret the prompt, so, here’s mine:

“Fade to Grey”

“I made this,” Billie declared, as she sorted through ornaments. “And this-”

I made that,” Katie corrected, snatching at the yarn doll.

Chuckling, Sally turned, to catch Larry’s reaction. He wasn’t watching the girls, though, but staring at his reflection in a tiny glass ball.

“What’s wrong?” she asked softly.

He ran his fingers through his fringe, frowning. “I’m going grey.”

Sally hummed. Growing old didn’t appeal to her, either. Although, the idea of growing old with him charmed. So, pulling at one pale strand with a grin, she teased, “I made this.”

Larry blinked, then laughed. “You certainly did!”

 

Let’s admit it: no one really wants to get older, see those lines and fading colors in the mirror. But, when you find someone worth the time and effort, it makes the changes seem not quite so terrible as they might otherwise be.

George Clooney and Helen Mirren: proof you can go grey and still be awesome.

This story is one rather close to my heart, as today marks the fifteen-year anniversary of when my husband and I met. (Fifteen years! Oftentimes, it feels more like fifteen minutes. …underwater. No, no; just kidding!)

Personally, I see more grey in the mirror every day. But, like my Songbirds above, I’ve managed to find someone with whom the prospect of growing older doesn’t seem so scary.

What does “GREY” mean to you?

Pillow Talk

Breathless, sweaty, and dizzy of a sudden, Ross tumbled to the bed beside her, one arm still draped loosely around her. They would need to clean up and wash before bed, but, for the moment, he just wanted to lie with her in the drowsy quiet. So, settling his head next to hers, he blinked, and swallowed, and asked:

“Can we cuddle a bit?”

No mincing words, here: I think sex is an important part of any adult, loving relationship. It’s fun to write, too…though what’s more interesting is examining what happens around the main act. Pillow talk in these situations can offer a unique perspective on your character.

Trailer title from the 1959 movie; public domain image.

Lovers (and this includes men, here) are often much more honest with each other when they’re naked and relaxed, coming down from a sexual high. Just something about that situation, I guess, that opens people up. 😉

If you’re so inclined to write a sex scene, I’d suggest at least considering that opportunity of after-sex pillow talk, to broach some of your more sensitive topics. Perhaps your woman has body image issues, or your man has trouble with intimacy. You can potentially use this time to explore those, in a natural, conversational way.

Because honest communication is what truly makes sex sexy.

If you write sex, on what part do you like to focus: the buildup, the climax, or the denouement? If your story doesn’t include the convention of sex, how do you approach sensitive relationship subjects?

Five Sentence Fiction: “In a Word”

DETOUR” was the prompt for this week’s Five Sentence Fiction challenge, from Lillie McFerrin. We don’t have to use the word itself, just write a five sentence story using that word as inspiration. (I’m cheating a bit this week, as I originally wrote this one for another prompt. But, I think it fits better, here.)

This one is for all the people out there who don’t always go where they want to go, but get taken to where – and with whom – they need to be.

“In a Word”

There had been other men, of course, before him: the deliriously brilliant swashbuckler who’d spoken of strange and ancient mysteries; the handsome, charming defender who’d nearly swept her off her feet with flattering want; even the wise but wicked gentleman who’d wondered with her what could have been.

He wasn’t as brilliant, handsome, or as wise as them, nor delirious, charming, nor wicked.

But, he was strong and warm when they held each other, tenderly passionate when they kissed, and he filled her with such joy when he made her laugh. And, sometimes, when she least expected, he could be stately, like a gentleman, and as courageous as any knight, and even as exciting as a daredevil…in his own sometimes silly, sweet way.

He was, simply and in a word, her husband.

Yes, yes, I know: I’m a sap. But, I write what I know, which makes me a happy sap.

What DETOUR did your characters take, with this prompt?

Strength in the “Fairer” Sex

I was going to talk about how it’s important to stay healthy while you’re working on any project (even a writing project), but I’ll save that for another time. Because I seem to be coming down with something, and because, earlier this week, my thought processes were waylaid by a few different posts about what it means to be a woman, and how society views women. I’m not taking a stance on whether one or both of these posts is right or wrong. They simply made me think. About myself, and specifically about my female characters.

I’ve talked about this conundrum before: how important (or not) it is for a character to be likable. It’s the same for women characters as it is for men. Whether they’re likable is often irrelevant, so long as they’re realistic. Likability should come – or not – based on how “real” they are: their sympathies, their reactions, their thoughts and feelings. My current main character is a man, and his big starting flaws are that he’s vain, distrustful, and driven by his biology, to put it nicely. He’s been an absolute blast for me to write, because – particularly early on – he’s free to be so one-dimensional in a lot of his interactions (“Let’s have fun!” “Let’s surf!” “Let’s f–k!”). Since it’s a romance story, he has to face and overcome (or run away from) certain obstacles introduced by the main female character.

This is where it gets tricky.

Women expect other women in stories – especially romances – to be intelligent, powerful, strong. But, not all women are powerful or strong in the same way.

Don’t get me wrong: I love women who kick ass. When I was a kid, I wanted so badly to be Vasquez from ALIENS: she was no-nonsense, stood toe-to-toe with any of her fellow (male) Marines, and went out in a blaze of glory. I loved that! My opinions of strong women haven’t changed as I’ve gotten older…but I have realised a woman doesn’t necessarily have to be a stoic smartgunner in order to be “strong.”

said kickass smartgunner

As I’ve become a woman, myself, I find I appreciate other women – fictional or real – who can embrace their femininity as a kind of strength. My last heroine was a woman who had a hard time reconciling being a fierce warrior but also a young woman who wanted to be loved by her man. That was a fun, enlightening journey to take with her, but I wanted to do something different for my next heroine.

Perhaps it’s because this current story is from a man’s point of view, but I don’t have a problem with my new heroine being girly, sassy, and sexy. (That’s what my hero likes about her!) That doesn’t mean she’s a wimp, though, and I don’t think I’m dismissing The Sisterhood by making her not be a fighter; her strength ends up manifesting in more subtle ways. Simply because she’s a nurturer rather than a hunter shouldn’t mean she’s any less valid as a strong woman character than a ball-busting CEO or tough-as-nails starship captain.

Of course, no one will ever be another USCMC PFC Vasquez, J. (Sidenote: Jenette Goldstein, who played Vasquez, is just as kick-ass as her breakout role. Just check out her shop at http://www.jenettebras.com/ – this is a lady who understands how great it is to be sexy!)

What does a “strong” woman character mean to you?

Five Sentence Fiction: “What It’s Not” [Fearless]

The prompt for this week’s Five Sentence Fiction from Lillie McFerrin is MEMORIES.

Once again (and keeping with my posting schedule), I’m using it to tackle some backstory for Fearless. Part of this is an effort to get back on-track…and part of it is because I think the conflict is an interesting one to examine.

“What It’s Not”

At four, he simply hadn’t known; “love” was but the smell of Christmas roast filling the kitchen, or cold ice cream sliding down his throat, or the rush of seawater between his toes.

By the time he was twelve, he’d come to understand it a bit more, though still not very much: Mum’s warm embrace, and his sisters’ gentle teasing; the joy of rolling waves to ride, and the blow of ocean air against his face.

By sixteen, though, he knew, he understood, even if he wished he didn’t. Because love like in stories was glorious and loud, full of honesty and trust, not hushed and hidden and kept secret in his breast, whispered only to the wind and the soft goose feathers stuffed in his pillow; it wasn’t a wicked laugh and a crooked smile, nor the shine of golden hair and sun-drenched flesh stretched beside him in the sand day after day. It was Antony and Cleopatra, Tristan and Isolde, Paolo and Francesca…not this, not them, not him: Neville, and the beautiful, oblivious boy who filled his dreams.

A bit of a tortured Neville, here, but teenagers tend to be filled with angst.

What MEMORIES did you take a look at, this week?