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Stagger to Sway [Threesome!]

It’s a threesome this week (no, not that kind of threesome, silly!), as I attempt to combine prompts from Julia’s 100-Word Challenge for Grown-Ups, Lillie McFerrin’s Five Sentence Fiction, and The Daily Post Writing Challenge!

Julia’s prompt this week (week 73) is “…the notes from the piano… Since we are to incorporate said phrase, we’re allowed to go to 105 words instead of the standard 100.
Lillie’s prompt this week is FORGOTTEN, and we’re to construct a story around that theme, in five sentences. We don’t have to use the prompt word itself.
The Daily Post’s prompt this week is Starting Over. There are no constraints on word or sentence count.

Let’s recap: 105 words, five sentences, with themes FORGOTTEN and Starting Over, and including the phrase “…the notes from the piano….”

This is my first time trying to pull together three different prompts around one idea, but I think I did pretty all right….

“Stagger to Sway”

Dance, he’d said, as if she could do; her dumb legs could barely remember how to stand, but for the clanking metal of her Zimmer frame! He’d never let her sit back, though: from grabbing her first wave, to making her step up from her chair.

“Everyone’s staring,” she protested.

Tugging her up, he muttered, “Forget ’em,” and, using his hips and shoulders, he took the place of her Zimmer and helped her lurch, inch by staggering inch, from sofa to open floor.

She cursed such slowness…but, in his arms, as the notes from the piano reached her, they began to sway, and she forgot.

(Yes, I know, I forgot pockets. Just as in real life, though, I got distracted by the bum.)

(Yes, I know, I forgot pockets. Just as in real life, though, I got distracted by the bum.)

This vignette derives from an early (scrapped) draft of a scene from Fearless, so the characters and conflict are likely familiar to my beta readers. However, the original scene read as too schmaltzy for that particular part of the story (and, you may think it does so, here, as well), but I’d still rather liked it, at its core.

People say you should never completely scrap what you write, because you never know when it may come in handy. I had to do a fair amount of tweaking, but this stands as one of those lucky moments when I got to go back to something I wished I’d been able to keep in the story proper.

Did you play with any of these prompts this week? What happened with the notes of the piano? What was FORGOTTEN? How did your characters Start Over? Let me know!

FSF / 100WCGU: “Between Them”

I’m doubling-up on prompts again! (Why not start the year off right?)

Lillie McFerrin’s Five Sentence Fiction prompt is “ENDING” and week 71’s prompt for the 100-Word Challenge for Grown-Ups over at Julia’s Place is “…as midnight struck….

As a side note, I rarely put forward for Julia’s challenges anything I personally would deem above and/or beyond the PG rating certificate (Lillie’s challenge comes with no caveat about rating, though I think we police ourselves well enough), but I’m rather liberal about mature subjects, myself. I leave you to be the judge if this is inappropriate.

“Between Them”

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The first time they heard midnight strike together, there was just the job between them: script, soundtrack, timecode, a story due by deadline.

The second time it happened, though, they passed between them their own stories, of husbands, wives, and wanton regrets, kept secret until that moment.

By the third, between them there was nothing at all, save the taste of wine on fevered lips…and prospects of forever whispered in his dark hotel room.

So, on the fourth, while still wrapped around each other, he asked the question smoldering between them. And, in his bed, as midnight struck, she answered with a kiss.

I’ve stayed away from Robb and Emma for a while, but this double-edged sword of a mixed prompt plucked at my heartstrings a bit too much to ignore.

What ENDING did you create? What happened when midnight struck? Let me know!

Five Sentence Fiction: “In a Word”

DETOUR” was the prompt for this week’s Five Sentence Fiction challenge, from Lillie McFerrin. We don’t have to use the word itself, just write a five sentence story using that word as inspiration. (I’m cheating a bit this week, as I originally wrote this one for another prompt. But, I think it fits better, here.)

This one is for all the people out there who don’t always go where they want to go, but get taken to where – and with whom – they need to be.

“In a Word”

There had been other men, of course, before him: the deliriously brilliant swashbuckler who’d spoken of strange and ancient mysteries; the handsome, charming defender who’d nearly swept her off her feet with flattering want; even the wise but wicked gentleman who’d wondered with her what could have been.

He wasn’t as brilliant, handsome, or as wise as them, nor delirious, charming, nor wicked.

But, he was strong and warm when they held each other, tenderly passionate when they kissed, and he filled her with such joy when he made her laugh. And, sometimes, when she least expected, he could be stately, like a gentleman, and as courageous as any knight, and even as exciting as a daredevil…in his own sometimes silly, sweet way.

He was, simply and in a word, her husband.

Yes, yes, I know: I’m a sap. But, I write what I know, which makes me a happy sap.

What DETOUR did your characters take, with this prompt?

Five Sentence Fiction: “Onward” [Fearless]

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Contributed to the Five Sentence Fiction prompt DEVOTION, from Lillie McFerrin’s blog.

My Fearless story may be about Ross and Amber, but their supporting cast is just as important. In some ways, I think supporting casts offer some of the real meat of a story. They can provide back story where necessary; they can offer contrasting views of a situation; they can help create necessary conflict – or resolution – for or between the main characters.

Neville is, without a doubt, my favorite of the Fearless supporting characters, but I’ve enjoyed creating the back stories for the others, as well….

“Onward”

She loved this tiny village by the sea, with its cool, breezy nights and crisp, sunny days; she loved the way her husband had stories to go with its every old name and hidden corner, and the way her daughter was making stories of her own, to go with every new face and open break of beach and field.

But, as much as she loved the odd eccentrics and familiar friends of this village, she loved more who she was, the purpose she knew she had. Which was why it almost broke her heart to broach the subject she’d kept secret for too long, and told her husband she had to move on, to where she could do the most good, away from here.

He paused for but a moment. Then, as though he’d only been waiting for this, he smiled, and said, “So, when do we leave?”

Which of your supporting characters do you love – or hate? Why?

FSF / 100WCGU: “Last”

Another double-up of prompts, mostly because I’m too tired to concentrate on each without combining them (it’s been a long week).

Lillie McFerrin’s Five Sentence Fiction prompt is “ZOMBIE” and Julia’s 100-Word Challenge for Grown-Ups prompt is a picture:

I’ve taken a fair amount of liberty with these prompts, but we write how we’re inspired.

“Last”

Palm pressed to the terminal, she paused, briefly, as the data jumped between synapses – maps, securcam feeds, personnel records, everything was open to her.

“Think you can find your friends?” the soldier asked, startling her concentration.

Pulling her hand away, she opened her eyes, empty black replacing the wild torrent of information, and frowned: how could people shuffle dead-eyed and dumb through their own world? The Institute’s doctors had said she was special, if alone – the last of her kind – and, now, she understood why.

“I may not see,” Imien said, “but that doesn’t make me blind.”

Some technobabble, but I liked getting into Imien’s head a bit, here; she’s one of the Stowaways I haven’t really examined.

What five sentences or 100 words did you write, this time?