by Mayumi-H | Jan 18, 2014 | Finding Mister Wright, Persona 4 Fan Fiction, Short Stories
No preamble for this bit slew of free writing I did over the course of Friday day/night…except a note to say thanks to Kourtney Heintz, for prompting me to actually write this piece, in her comment from last week’s 2013 WordPress blog report, made in reply to how I should maybe focus this blog on topics like “deep sea ice f***ing.” I’d meant that only as a joke, honestly. But, once a seed gets planted, it has to be quashed or nurtured.
The story below revisits Marshall Wright from another previous post, and takes his story a bit further than the short-ish story I wrote over winter break. There’s the suggestion of adult situations herein, but nothing graphic. I think, more than anything, the length of this one will probably lose me some reads/comments. But, I had such a good time writing this, all 3000+ words of it, I won’t fret about what should be done differently, here, or any of that. It felt great to write all of this in less than 24 hours, on a single prompting, I don’t regret it, any of it.
Take a look and read, if you’re so interested. Or, skip it, if you’re not. I’ll be back next time with something different (and shorter), I’m sure.
“It’s not really about the fishing” (more…)
by Mayumi-H | Jan 5, 2014 | Finding Mister Wright, Uncategorized
Pardon the unscheduled update for the blog.
A few weeks ago, I got a new story idea out of the blue. That idea was “Finding Mister Wright.” The synopsis I posted was only a rough outline of what I thought the story would be. Of course, somewhere in the writing, Marshall hijacked the story from my initial inklings and made it distinctly his own. The core is still there, but the overall story became something rather different, with new characters, new relationships, and a new ending. To spite what it does to my planning, I love it when that happens.
Thirteen days, fifteen chapters, and a tad over 20,000 words later, Marshall has a story. A kind of Christmas story, even. While this is “only” a first/rough draft, I feel pretty damn awesome to have brought his story to light. Or, at least, part of his story, since I’ve grown to like him a lot over the last almost-two weeks. What may be the best part, though, is that I set myself the goal of finishing this story before the end of this weekend, and, damn it, I actually did it.
I guess now it’s time to find out if those folks who said they’d read my stories actually do it, too.
by Mayumi-H | Dec 21, 2013 | Finding Mister Wright, Process
Even though I currently have two full works-in-progress running through my head, my evil brain decided at 4am this past Thursday morning (hi, Kate!) to come up with a completely new plot bunny. The good news is that this potential plot develops rather organically from the stories I’ve been writing these last few years, so I think I’m in a better place now to tackle some of the issues to be presented therein than I would have been even a year or two ago. The bad news, of course, is that I don’t need a new story to write right now.
I’ve had persistent plot bunnies hijack my waking brain before. Usually, writing down the one or two integral scenes in my head allows me to move on. This happened most recently with that bit of Pacific Rim side character story I had. But, this new one is more elaborate than a single scene. It’s grown from a place of inner turmoil and dissatisfaction, one that would take more than a few thousand words to satisfy the nagging in my head and guts.
I keep thinking the stories and characters to have come before each new story are simply leading me to The Story of my writerly life…which each successive story still fails to be. Too long, too complicated, too much sex, not enough action – there’s a slew of reasons why my inner critic and editor always decides any particular story is not The Story I’m meant to share with the world…if there even is such a thing, for me. I write and share those stories anyway, of course, because I can’t not write, and I feel like a story not shared is hardly a story at all. But, how am I supposed to know where to put my efforts? Just keep moving forward, absorbing and learning and creating as I go? Should I just give up on The Story and write the lesser stories that come into my head but still manage (somehow, folks surely wonder) to bring me joy?
For anyone interested, below is the plot idea I had, the story’s working title being the title of this post. I guess I’m curious to know from any of you if the idea is worth pursuing…though, I’m pretty sure it will get written no matter what anyone says, if I decide so. Because I’ve been in an FTW sort of mood when it comes to my writing, lately. 😉
Marshall Wright has the perfect uncomplicated life. He loves his days as a paramedic pilot and even more his nights of bachelor autonomy. No clamoring kids, no ball-and-chain, not even a nagging girlfriend to make him stop drinking milk from the carton and leaving the toilet seat up. No one to help him finish off that opened bottle of Shiraz, either, but that’s all right. His freedom isn’t worth the cost of a woman’s saved mobile number, not when there are so many beautiful women to be had.
Civil rights attorney Sasha Price should have been just another beauty to share his bed one night. But, oh! That night! Marshall can’t stop thinking about that night, about the woman who gave as well as she got, enough to make his head spin.
He looks for her again, back at the bar where they met. That one night leads to two, three, four, and more, full of wine and roses. His friends think Sasha may be the one to get Marshall to move on from his swinging bachelor ways. Marshall even starts to think so, too, when the woman of his dreams drops a bomb he never could have suspected.
A girlfriend is complication enough in Marshall’s life. The secret of Sasha Price’s past adds a whole new set of ingredients to the mix.
…But, damn. She might just be worth it.
(This is also a first attempt at me writing a synopsis. I don’t know if it gives away too much of the “plot” in these few paragraphs, and it’s a bit too long to satisfy most submission rules (232 words). The story itself has less to do with the “surprise” than it does with the ramifications of the protagonist learning it. Though, I do wonder whether I should make that particular hurdle known in the synopsis, so readers would know what sort of story they’re in for.)
I won’t put you on the spot about this idea or the synopsis itself, so how about this question: how do you decide on which story you should concentrate, when you’ve got more than one (or two, or three!) fighting for your attention?
by Mayumi-H | Dec 14, 2013 | Fearless, From Hell (A Love Story), Process
So, as some folks know, I’m writing this sci-fi western story based on a videogame universe. Blah blah blah, I know, it’s fan fiction and not real writing, whatever. I’m still having a blast with it, and just one of the reasons why is it’s given me a new perspective on some old characters.
For those who read “Anywhere but Here,” my 2012 NaNoWriMo project: Remember Tych and Imien? They were the pilot and the cypher, the secondary runaway characters following the two mains in the teenager half of the story. (Don’t worry if that’s confusing. It’s not important for this post.) Anyway, I came to a point in my current story, “From Hell,” where I needed a getaway ship. At first, I’d planned to model the ship’s captain on the character VT from the seventh session (episode) of the anime Cowboy Bebop, “Heavy Metal Queen.”
– screen capture: “Cowboy Bebop” –
If you’ve any interest in anime, sci-fi bounty hunter stories, or jazz music, check out Bebop. But, again, not important to this post.
In playing around with the different interaction scenarios between the main characters of “From Hell” and the ship’s captain, I realized the ship couldn’t have just one crew member. So, I developed a daughter for Janus (that was going to be the captain’s name). On the story went, but neither Janus nor the daughter character really took hold with me. The daughter, by the way, never even got far enough in my thought process to get a name. That should tell you something about how well that subplot was going.
One afternoon, I was sitting at my writing desk working on designs for the ship. (That went through a few permutations, too.) I stumbled across an old sketch I’d made of the Ridout, the smuggler’s ship from “Anywhere but Here.” Never one to pass up the opportunity to save the world from my terrible vehicle sketches, I considered my work on the new ship done. And, quite suddenly, it hit me.
I already had a smuggler crew, all ready to go, fleshed out and everything. Enter Tych and Imien…or, as I renamed them, Twitch and Ivory. I’d always liked the Tych and Imien characters, but their personal stories never got any deep attention in “Anywhere but Here,” focused as the story had been on the more major plight of four teenagers on the run from the galactic government. Bringing them into “From Hell” offered me a chance to examine their personalities in a more acute light. Plus, their own conflict, such as it is, relates well to that of the main characters…who are also on the run, now that I think about it, but that’s a thought for another time.
Of course, Tych and Imien had to go through some changes to make the jump from one universe to the other, but I couldn’t believe how stupid I’d been not to consider reusing these characters before! I’d borrowed pieces of other characters to create new ones before – I think every writer does that, at least at a subconscious level. For instance, the second principal character in “From Hell” – Hal, Axton’s engineer partner – developed from a mishmash of Amber from Fearless (cultured and sensitive, but also an elitist snob), and the Brock and Captain Aral characters from “Anywhere but Here” (sharp, loyal, a know-it-all techie, but afraid to pull a trigger). In turn, those characters developed from ones to come before them. I could draw up a whole family tree of where my characters come from…but it would probably be as confusing as the Baratheon/Lannister line of heirs!
I had to bring this up because I’m just having so much darn fun writing this story, and I wanted to share some of my excitement. I’ll go back to more serious stuff next time. Maybe.
Do you recycle characters?
by Mayumi-H | Nov 30, 2013 | From Hell (A Love Story), Uncategorized
(Mostly recycling from Tumblr again, because, after a long week spent helping care for my dad, who’s still going through chemo, I just don’t have the energy to put forth a completely new post.)
In a recent post over at Kourtney Heintz’s Journal, Kourtney brought up the idea of which actor might play which character from her book, Six Train to Wisconsin. While this is different from the idea of who or what may inspire a character, it did make me realize that many of the characters – notably the female ones – from my most recent story were actually based on specific looks and performances.
In “From Hell,” the main character’s appearance has already been determined for the reader, because he’s a borrowed likeness:
-Axton, the Commando from “Borderlands 2”-
The story may be about Axton, but there’s a slew of women in the supporting cast whom I’ve just adored writing. Among them:
Cin, the charming and sensuous madam who runs the brothel “Cin’s Deadly Seven,” and who was based on gorgeous Adrienne Barbeau’s Ruthie from “Carnivale,” complete with slithering snake tattoos;
-Carnivale publicity photo-
Red Widow, the cunning, discerning, and dangerous grifter who gives Axton a full-on run for his money in the sexuality and profanity departments (inspired by Gail Potocki’s beautiful and intimidating art below);
-by Gail Potocki: “Femme Fatale” Cella Gallery show press image-
Marshal Kotonou, who wears a duster and wields a shotgun as well as any man, for protection of her borderworld town (and to whom I’ve attempted to give a nod of attitude and beauty to Gina Torres’s Zoe from “Firefly);
-“Firefly” publicity photo-
Lucy, the practical and sassy prostitute who has better insight into the main character’s head than he does, himself (based on the luscious Patricia Arquette’s portrayal of Sally Wheet in “Boardwalk Empire”);
-screen capture: “Boardwalk Empire”-
and Sarah, the main character’s ex-wife from his military days, who provides some telling background about why he is the way he is (inspired by the many roles of lovely singer/actress Ana Brenda Contreras).
Oh! And, of course,
Gaige, the girl who starts the whole story rolling (head on over to
Contagious Media for the full photoshoot)…
-Gaige cosplay by ContagiousMedia-
Stories about men tend to focus on just the men. Especially in the Western genre, where supporting women can fall into pretty predictable (and often hackneyed) categories. The women Axton encounters throughout the story might exist within those same categories, but I hope I’ve added some new dimensions to a few of them. They’re just so much more fun to write, that way. Hopefully, readers are enjoying the women in this story, too. Because, really, what’s a man without a good woman, whether she’s there to screw, fight, or be his conscience?
From where do you get your character inspirations? If you could cast anyone as one of your main characters, who would it be?
by Mayumi-H | Nov 2, 2013 | Fearless, It's My Life, Persona 4 Fan Fiction, Writing Projects
It’s November, and some of you out there are writing fiendishly for National Novel Writing Month. Despite my earlier expressed excitement, I decided at the last minute that I should instead concentrate on some works in progress rather than on a completely (well, mostly completely) new story. Rob and Paige’s story isn’t going in the bin; I’m just holding off on them a bit longer. They deserve a fuller telling, anyway.
NaNoWriMo is a celebration of writing, deadlines, creativity, and support, all important aspects of becoming a storyteller. Even though I won’t be running the race, this year, I don’t consider that a failure. In fact, NaNo has given me at least five stories of which I’m pretty proud:
2012’s NaNo – “Anywhere but Here” – is a dystopian science fiction story, about four runaways and the Hounds tracking them down. In my delusion, I thought I could possibly push that one to publishable status, so I sent the first 1000 words to editor Kate Johnston. Kate had some great comments…but I was too shamed to send her the rest for a real job; I wanted to make the draft the best I could make it, and I knew that first pass wasn’t good enough. So, I’m working on that in bits and bobs.
On a side note, I believe Kate is still offering a great deal on a free critique of 1000 words, over at Musefly Writing Studio. Check out the link for more details!
2011’s NaNo – Fearless – is still in progress, around 160K in first draft form. (I know: edit, edit, edit.) It’s a romance drama, one I’d once hoped to publish some day. As the story has become longer and more convoluted, though, that possibility has become ever more doubtful. I don’t mind. Once it’s done, I will print it up, bind it, and put it on my shelf. Because the story is so much a part of me, now. I’ve learned the most through writing it, and the depths of its beauty, sadness, and humanity I don’t think I’ll ever approach again.
2007’s story was Sixes and Sevens, romance from an interracial angle, set circa 1997. Why that year? I remember being at a sleepover and waking up to news of Diana Spencer’s death, and talking with my friends about it, how we take the most important parts of life for granted. That, and the music from 1997 was pretty rockin’. 😀
In 2006, I wrote “The Daughters of Krull,” based on the high fantasy film from the 1980s (don’t judge me). While a fantasy, the main plot dealt mostly with fathers and daughters. I took three supporting characters from the film – a middle-aged man, a younger man in his physical prime, and a boy – and used them to examine their relationships with the women in their lives. It was actually a lot of fun to write, if not terribly popular with my usual readers.
And, all the way back in 2005, for my first NaNo, I wrote “Through Green Eyes,” a coming-of-age story of four siblings in colonial Japan, seen through the eyes of the family cat. This is probably the roughest and simplest of my NaNo ventures, but it’s also one of my favorites. It rekindled a love of my personal heritage I hadn’t felt in a long time. And, writing a cat was fun.
Whether you’re participating in NaNoWriMo or not, take a moment to reflect on some of the stories you’ve written over the years. What are your favorites? Feel free to leave a link with your comment, too: because NaNo is just as much about sharing and inspiration as anything else. Tally ho!
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