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I was dreaming as I wrote this

So, forgive me if this goes astray

Last night, I dreamed a man. Athletic, Nordic: tall, blond, squared, chiseled features. Scruffy for his faint stubble. Not overly muscled, but built to last. Also, soused to the gills, blue eyes swimming behind alcohol contacts.

He pushes me.

I push back.

Grabbing the top of his popped beer, the frothy foam spilling between my fingers, I tell him, “You do that again, I will hit you. And it will hurt.”

The soporific cloud blurring his eyes turns clear.

He says nothing, just shifts away.

We meet again later, his gaze and expression fresh, now, no longer the sloppy drunk. I don’t remember what we say, only that he sort-of smiles. One sharp eyetooth stands crooked from the rest. Watching it poke a dent into his lower lip, I smile, too.

Night. Maybe that same day, maybe days later. I’m sorting socks, of all things: knee-highed stripes, brown footies, patterned thigh-highs. I’m thinking, Which ones would he like? when I’m called to hold the camera. Why no one else can figure out how to frame a shot for a stage performance, I don’t know.

I look into the monitor, set the shot, lock the camera. A man sits down, right in my line of view.

Blond. Scruffy. Built.

“Glad you could make it,” I say.

He tilts his head back and laughs, showing off that adorable crooked tooth. As though he knows that’s what will make me melt. He looks at me, blue eyes bright. And magnified a little, behind narrow-framed, horn rimmed glasses.

Be still, beating heart. But don’t let on:

“Now, get out of my shot.”

He laughs again, shifting out the way.

I’m not looking at the camera window any more.

Most of my dreams don’t translate well to story format, but this one did. Those of you who follow my Tumblr or that Friendface thing have seen this bit of free writing already, but, since it’s the only thing I’ve written recently that isn’t deeply mired in novel or fandom continuity, I thought it was worth a little space, here.

Joseph dreams of wheat

“Joseph dreams of wheat”
Owen Jones [Public domain], via Wikimedia Commons

Do you write down your dreams? Do you ever find they make their way into your stories?

Voices, and a critique revisited

A few weeks ago, I put up on the blog an excerpt of a fight scene I was having trouble with. Based on your feedback, I made some changes to the text, ones I hope create a smoother experience for the reader. Do they or don’t they? I’ll let you be the judge. (Clicking the image below will let you read both the original and updated versions, the latter of which I posted for readers just this past week, coincidentally enough.)

From Hell - rewritten action scene

I like to think the update works better within the confines of the chapter…but I’m never sure. Because working from feedback has always been difficult, for me.

I like getting critique, especially if it can help my story become better: tighter, clearer, more effective. But, I spent a large part of my early writing life aping others. My sister first, then my favorite published authors. To this day, when I read books while I’m in the middle of writing a story, I find myself incorporating others’ techniques and quirks. It’s been said imitation is the sincerest form of flattery. Though, when does imitation go too far, and we lose our own voice to the art?

I like my voice. It varies from story to story (admittedly, less successfully when I drag out a story for too long), but I like thinking of my stories as my own. When I get critiqued – especially when it’s good critique – I always hesitate. “If I change this phrase to x, will I sound more like A? If I edit that section to y, is my voice becoming like B?”

Even though I may not be destined for publishing, I still want my story to be the best it can be. So, in some cases, writing like favorite author A or insightful reader B might be better. But, does that make a story less mine, less me? I don’t know.

In the face of solid critique, how do you remember to keep to your own voice?

Lovestruck and Lost

“Has he ever said, ‘I love you?’”

“No.” An indifferent shrug. That question seemed to nag at everyone else; it wasn’t the first time it had come up in conversation. “But, he doesn’t have to.”

“It doesn’t bother you?”

Again: “No.” And, again, a shrug. “They’re just words.”

“But they’re words you’re supposed to say, when you feel that way.”

A chuckle, but without mirth. “The last time he said those words were to his wife.” A quick shake of the head loosed the congealing doubts, like marbles startled in a jar. “I don’t think he’ll ever say them to anyone again.”

“What about you? Have you ever told him?”

A pause, now, to consider that: the step not taken, for both their fears. Then, another, slower shake. “It wouldn’t change anything. He’d still be who he is. We’d still be where we are.”

“Lovestruck?”

It was a guess. A good one, more accurate than not, come through a witting, impish smile.

It would have been nice to smile back. But it wouldn’t have been true. So, with a stilted, breaking breath, the muttered honest answer:

“Lost.”

My brain is such a mess at the moment, this sort of melancholy piece is all I can get out, right now.

I hope you all are doing all right, out there!

Love and Marriage, for all

Overnight station shifts often meant solitude while he waited for a call to come in, a trial Scott considered a lonely necessity at its best and a nerve-wracking tedium at its worst. Some of the other men on the squad appreciated the quiet away from wives and children. Not Scott. Noise and commotion had become a part of his life these last seven months, but it was worth it for the blessing of little Emma.

Finchy wasn’t nearly as exciting to be around as his daughter (or his wife), but he was company to keep the silence and boredom at bay well enough. And, he seemed lonely, of late. He was also a more than passable cook, so his offer of bringing supper to the station to hang out was one Scott couldn’t refuse.

“That was great, mate,” Scott said as he eased back a bit from the duty desk. “Thanks.”

“Sure,” Finchy replied easily, and took a long swig from his water bottle.

Looking at his empty plate, Scott chuckled. “I love my wife, but I’m lucky she knows how to use a microwave. You’ll make some lady very happy, some day.”

Finchy blew a snort from around the mouth of his bottle. “I don’t think there’s any woman to satisfy me that much.”

“You just haven’t found the right one, yet.”

“Yeah,” Finchy muttered in a lazy drawl. “Rub my nose in it.”

“Maybe you’re looking in the wrong place,” Scott told him. “There’s a lot more than just this village, you know. I mean, I didn’t meet Venus here.”

“I know,” Finchy said. “I was there, too.”

Scott fell silent, reminded of that flashy, crowded club on the first night of Newquay’s Blue Surf competition almost three years past, where Finchy had spotted that Black beauty with the killer smile and unflappable attitude. Every member of their crew – save Neville – had tried to pull her, with no success. Of course, the next day, they’d found out she was a surfer in her own right: Vee, they called her, “for Victory,” though she’d introduced herself to Scott in particular as Venus Pritchard. Thinking back on it, now, his scores that comp had been shit…but he’d had a hell of a night in her bungalow to make up for it.

Lost in those memories a moment, he didn’t notice Niall swoop in from the outside and plant himself in the other seat across the desk until he opened his mouth:

“Did you know Nev is-” He dropped his voice. “-a poofter?”

Scott looked at him in mild surprise, while Finchy furrowed his brow and said, “Yeah, I know. And don’t call him that.”

“Whuh-!” Niall said, leaving his mouth hang open a second. “You knew? How long have you known?”

Finchy shrugged. “He told me, like, two years ago.”

Niall pointed at Scott. “Did you know?”

Scott nodded, feeling a bit lame. “Yeah. He told me and Venus a while ago, too.”

Niall fell back against his chair. “Did everybody know but me?” He turned to Finchy. “Why didn’t you tell me?”

“Why?” Finchy said, and raised his brow with sudden interest. “Are you gay, too?”

“No!”

“So, if you’re not interested in him, why should you care?”

Niall paused a second, his face gone blank; Scott figured he hadn’t thought that far. Of course, he didn’t usually think at all….

“Well,” Niall struggled out, now. “What if…What if he fancies me?”

“He doesn’t,” Finchy replied readily.

“How’d you know?”

“Because no self-respecting human – gay or straight – would ever fancy you.

“All right,” Scott muttered, extending one hand. “That was a little uncalled-for. We all have to work together.”

“That is exactly my point!” Niall said, pointing one finger around at them again, as he half-stood from his chair. “I-! I mean, we all are in…very close quarters…a lot, and…well, sometimes, I don’t wear anything under my suit, and what if, you know, when I take it off, that’s, like, too much a temptation for him? Or something?”

“Jesus!” Finchy said, scolding. “He’s not a rapist.”

Niall went from looking ill at ease to pained. “No, I’m not saying that, but-!”

“Listen,” Scott told him in a low voice, leaning across the desk. It felt a bit like speaking with a special needs child, but Niall did have some special need, at the moment. “Nev’s always been this way. You’ve known him for years, and it’s never bothered you before.”

“Well, I didn’t know before!”

“What difference should it make? He’s still Nev. He’s still ace on his board, and he’s still our mate! The way you feel about him shouldn’t change just because you suddenly found out he’s gay.”

Niall paused, as though thoughtful. Scott couldn’t easily tell; the look of contemplation on his face was so foreign.

“Yeah,” Finchy said then. “You’re an idiot, but that doesn’t change the way I feel about you.”

Shooting him a guarded look, Niall murmured cautiously, “How do you feel about me?”

“You’re an idiot,” Finchy repeated, making Scott snort a chuckle under his breath. Then, sitting up from his lackadaisical lean, he added, “And another thing: Whenever you go straight skins under your suit, you don’t take that off in front of any of us. Nobody wants to see that!”

Alianca braille

By Luistravasso (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons

Earlier this week, news came of the passage into law in England and Wales the ability for same-sex couples to marry. Some stipulations still apply, of course, because government doesn’t make anything easy, these days. But, it’s a step forward toward the equality that should have existed for couples of all variations years ago. Here in the US, the status of a person in general – including marriage – is determined by the individual states, so it creates a much more divided issue, depending where you happen to live.

I won’t get into any controversy of marriage – or laws associated with it – here. The news did prompt me to scribble down this bit of free writing, though, which I always appreciate, no matter what the impetus.

I’ve always seen Scott as “the dad” of the crew. Because he is one, but I also thought his perspective – coming from being in an interracial relationship – gives him an extra insight into other less traditional romances. And, I like the idea of hearing from some of the supporting characters in the story.

As for Niall…. Poor Niall. At heart, he’s a good guy. He’s just…not terribly quick. I hope his struggle with his own articulations, here, paints a picture of someone who’s just a little confused, not truly bigoted, especially against a friend.

Now, it’s stiflingly hot, here, so I’m going to grab my own wetsuit and head for the beach. And maybe I’ll go skins, too.

How do love and marriage figure in your stories, if at all?

Beauty and Beholden

This past Monday, I had another photo shoot with my photographer, Celeste Giuliano. It marked the thirteenth photo setup I’ve done with Celeste, since 2007. Of course, it being the thirteenth shoot, we were cursed with a few difficulties (late trains, blown lights, and rain!), but I had an amazing time, as I always do.

I first started these photo shoots as a way to feel better about myself. I’ve never considered myself a Gorgon, but, I’d started to feel plain, unnoticed. Kind of worthless, actually. Especially when I looked around and saw all these beautiful others, who weren’t me.

Gorgone ceramica

By Italiamoderna at it.wikipedia [Public domain], from Wikimedia Commons

Celeste’s pinup shoot sounded like a great idea to get out of my personal rut. I contacted her, and she sent me some possible photo ideas. I started simple, but, over time, experience, and nurturing, I feel like I’ve really grown into the sexy, assertive woman I’d always wanted to be. Testament to the true photographic auteur she is, Celeste has given me a lot of free reign over the years, too, to push outside the boundaries of “typical” pinup shoots. I went from a rather tame Veronica Lake look, to an Andrews Sister nosecone pinup,  girl boxer, 30s vintage Follie, a dark-haired Barbarella, and beyond.

Pinups_CollageAs well as being inspired to do these photo shoots, they also inspire me. For days, even weeks, after a shoot, whenever I look into a mirror, I remember how empowered it feels to be proud of who I am. I don’t see the flaws in myself, but what makes me beautiful. I try to remember those feelings when I look at my work, too.

When we review scenes, chapters, or whole stories for editing, we often focus on the imperfections. That’s not a criticism of editing and revision; it’s important for us to note where our stories can be stronger, what we can change to make them better. But, sometimes, in seeing all those imperfections, we can lose sight of what’s beautiful.

Never forget the essence of your story. It may not be as handsome, as charming, as strong, or as popular as the one you saw while strolling through the aisles of your book shop. But it’s got its own beauty. Nurture that. If you do, you’ll feel – like I did, after my latest photo shoot – like you’re fifty feet tall.

Redacted for Offense

A few weeks ago, I wrote about a particular Free Write Friday picture prompt (Free Write Fridays from Kellie Elmore). What came from that free write session was about 1600 words of a relationship story, one that flowed so naturally from my fingers, I just couldn’t stop writing it. As I mentioned in that earlier post, what struck me as I wrote those characters was how much of a role their religion played in their dialogue. Their sexuality also featured prominently, which is one of the main reasons why I didn’t post the piece at the time. Because you never know who you might offend.

Generally speaking, offending potential readers is not something I care very much about. It’s my belief an artist should create Art that speaks from the soul, no matter how dark, bright, raunchy, or chaste. Whether the artist can then sell that creation if they so choose is an entirely different debate. But, the Art at its core should be honest. Otherwise, it’s not so much art or even craft, but simply a consumable.

Side note: I’m not saying there’s anything inherently wrong with producing for consumption. Nor am I saying consumables necessarily exclude artistry, or vice versa. I think A Song of Ice and Fire has proven that pretty well. Besides, every one needs to eat, no matter how high-falutin’ their principles.

That said, I recently revisited that piece of free writing because I was curious to look at it with fresh eyes. I wanted to see if it really was as bad as I’d originally thought. Holding a marker, I went over and redacted everything I thought anyone could possibly find offensive in any way. This is what came of that exercise:

Redacted pages 1&2Redacted pages 3&4
If, for some reason, you’re interested in the actual words, click the images for a more legible experience (they’ll open in a new window or tab). The scene itself isn’t important, though. The reason for this exercise – aside from fueling my own personal amusement – was for me to see just how much black there’d be on those pages.

I’m not particularly smart, so I can’t write good mysteries or thrillers. I’ve only ever held a gun once, and never in a conflict, so I’m not qualified to write a big war epic. But, I understand people, and the everyday conflicts that can arise from personality and heritage clashes. I know love, too, because I experience it in my life every day. And I like sex, because…well, who doesn’t?

I don’t pull many punches when it comes to my stories. I try my best to warn folks ahead of time if a story contains questionable or mature material, but I also believe any individual should be able to decide for themselves if they want to continue or not. But, I’m writing these for me, first, and those topics are the ones I personally enjoy exploring. If they need to be redacted later, to fit someone else’s idea of what’s appropriate or salable, well, that’s life.

Have you ever redacted or edited something you’d written to fit someone else’s sensitivities? Why did you  do it? Or, if you didn’t do it, why not?