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FSF / 100WCGU: “Hope in You” [Fearless]

It’s a double-whammy this week, as I’m incorporating both Julia’s 100-Word Challenge for Grown Ups (week 57) prompt of “…returning to the routine…” and Lillie McFerrin’s Five Sentence Fiction prompt “AWKWARD” into the same post. Actually, it’s a triple whammy, since I’m also using Monday’s Fearless post to coincide.

To catch you up, Julia’s 100-Word Challenge for Grown-Ups gives writers a phrase or picture prompt, and we have 100 words (give or take; see the link for details) to write a story around it. Lillie’s Five-Sentence Fiction gives a one-word prompt, and we’re to write a flash fiction piece, consisting of only five sentences, that corresponds to said prompt.

I didn’t think I’d be able to participate at all this time around, as my schedule has been so hectic…but the pieces just fell together right, for me. (Maybe you disagree.)

“Hope In You”

By Zelda F. Scott (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

The bar turned slick beneath her hands, and her arms quivered all the way to her shoulders as her foot slid over the mat. It wasn’t from any thought or impulse, though, but mere weight, and that more than any pain or effort made the tears well.

Graceful, darling dancer: she’d never be that again, not if simply returning to the routine of standing on her dumb, labouring legs was this hard.

Spitting a plea for rest (and hating herself for it), she transferred to the chair, feeling weak, broken, hopeless.

Until she thought of him, and his smile, and pushed herself up again.

Julia’s prompt is a bit easier to recognize, here, than Lillie’s is, but hopefully you can see how I related this to both.

What awkwardness – or return to routine – did you describe, this time around?

Strength in the “Fairer” Sex

I was going to talk about how it’s important to stay healthy while you’re working on any project (even a writing project), but I’ll save that for another time. Because I seem to be coming down with something, and because, earlier this week, my thought processes were waylaid by a few different posts about what it means to be a woman, and how society views women. I’m not taking a stance on whether one or both of these posts is right or wrong. They simply made me think. About myself, and specifically about my female characters.

I’ve talked about this conundrum before: how important (or not) it is for a character to be likable. It’s the same for women characters as it is for men. Whether they’re likable is often irrelevant, so long as they’re realistic. Likability should come – or not – based on how “real” they are: their sympathies, their reactions, their thoughts and feelings. My current main character is a man, and his big starting flaws are that he’s vain, distrustful, and driven by his biology, to put it nicely. He’s been an absolute blast for me to write, because – particularly early on – he’s free to be so one-dimensional in a lot of his interactions (“Let’s have fun!” “Let’s surf!” “Let’s f–k!”). Since it’s a romance story, he has to face and overcome (or run away from) certain obstacles introduced by the main female character.

This is where it gets tricky.

Women expect other women in stories – especially romances – to be intelligent, powerful, strong. But, not all women are powerful or strong in the same way.

Don’t get me wrong: I love women who kick ass. When I was a kid, I wanted so badly to be Vasquez from ALIENS: she was no-nonsense, stood toe-to-toe with any of her fellow (male) Marines, and went out in a blaze of glory. I loved that! My opinions of strong women haven’t changed as I’ve gotten older…but I have realised a woman doesn’t necessarily have to be a stoic smartgunner in order to be “strong.”

said kickass smartgunner

As I’ve become a woman, myself, I find I appreciate other women – fictional or real – who can embrace their femininity as a kind of strength. My last heroine was a woman who had a hard time reconciling being a fierce warrior but also a young woman who wanted to be loved by her man. That was a fun, enlightening journey to take with her, but I wanted to do something different for my next heroine.

Perhaps it’s because this current story is from a man’s point of view, but I don’t have a problem with my new heroine being girly, sassy, and sexy. (That’s what my hero likes about her!) That doesn’t mean she’s a wimp, though, and I don’t think I’m dismissing The Sisterhood by making her not be a fighter; her strength ends up manifesting in more subtle ways. Simply because she’s a nurturer rather than a hunter shouldn’t mean she’s any less valid as a strong woman character than a ball-busting CEO or tough-as-nails starship captain.

Of course, no one will ever be another USCMC PFC Vasquez, J. (Sidenote: Jenette Goldstein, who played Vasquez, is just as kick-ass as her breakout role. Just check out her shop at http://www.jenettebras.com/ – this is a lady who understands how great it is to be sexy!)

What does a “strong” woman character mean to you?

Five Sentence Fiction: “What It’s Not” [Fearless]

The prompt for this week’s Five Sentence Fiction from Lillie McFerrin is MEMORIES.

Once again (and keeping with my posting schedule), I’m using it to tackle some backstory for Fearless. Part of this is an effort to get back on-track…and part of it is because I think the conflict is an interesting one to examine.

“What It’s Not”

At four, he simply hadn’t known; “love” was but the smell of Christmas roast filling the kitchen, or cold ice cream sliding down his throat, or the rush of seawater between his toes.

By the time he was twelve, he’d come to understand it a bit more, though still not very much: Mum’s warm embrace, and his sisters’ gentle teasing; the joy of rolling waves to ride, and the blow of ocean air against his face.

By sixteen, though, he knew, he understood, even if he wished he didn’t. Because love like in stories was glorious and loud, full of honesty and trust, not hushed and hidden and kept secret in his breast, whispered only to the wind and the soft goose feathers stuffed in his pillow; it wasn’t a wicked laugh and a crooked smile, nor the shine of golden hair and sun-drenched flesh stretched beside him in the sand day after day. It was Antony and Cleopatra, Tristan and Isolde, Paolo and Francesca…not this, not them, not him: Neville, and the beautiful, oblivious boy who filled his dreams.

A bit of a tortured Neville, here, but teenagers tend to be filled with angst.

What MEMORIES did you take a look at, this week?

Five Sentence Fiction: “Education” [Fearless]

The prompt for this week’s Five Sentence Fiction from Lillie McFerrin’s blog is BLUSH, and I’m using it for a little bit of a side story for Fearless.

In all my stories, I like to play around with gender roles in character relationships. Most of my characters follow pretty traditional roles, especially in my romances (there’s nothing quite like having a man who knows how to be a hero), but I also like to mix it up a bit: women can be bold hotheads; men can be tender-hearted romantics.

One interaction I always enjoy is the mentor/mentee relationship, no matter who plays which role…though my women tend to be the more cultured gender:

“Education”

This rosé was making him a bit dizzy (he was used to the clean simplicity of an ale), yet, she was still talking, perfectly normally, as though they hadn’t cleared through the bottle over the last hour.

“In America,” she said, tilting her glass back and forth in opposition to her head, “they call this type a ‘blush.’”

He blinked over at her, slowly, as he swallowed back the last, then muttered, “Why’s that?”

She settled her stemware on the table, then raised her eyes to his, and traded her cool glass for the warm angle of his cheek. “Because that’s what it makes you do,” she said with a tickled giggle, as she pushed him down to the floor, the taste of her lips sweeter than any wine.
By Neeta Lind (originally posted to Flickr as IMG_2397) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Ah. Nothing like letting affection ferment a bit with the bottom of a bottle…!

What gender roles do you like to observe – or disregard – in your stories?

What a Way [100-Word Story] [Fearless]

Week 55 of the 100-Word Challenge for Grown-Ups (over at Julia’s Place) was a picture prompt of a ridiculous cat wearing a wig and glasses. Julia asked that we write a piece to go along with this picture (it doesn’t have to be 100 words). For me, I couldn’t get out of my head the ridiculousness of a greeting card like that…and how inappropriate it can sometimes be for a situation.

I’ve decided not to submit to this week’s 100 WCGU link list, because I’m not following the rules posted (my flash fiction doesn’t really go along with this picture at all). But I couldn’t let this sit on my hard drive unpublished, either. Hopefully, you don’t fault me for that.

“What a Way”

She twisted her ring, slowly. It stopped hurting, but the imprint remained, where he’d squeezed too hard with unloosed passion.

Such passion…! More than she’d bargained when she’d singled him out, on those quiet, twilit dunes. She’d thought him just a beautiful blond boy, a simple pleasure to pass the time. Who’d have guessed he’d be so…emotional? But those words, breathed longingly beside her ear:

“I love you.”

It had to end. He was too young. She was too…married.

Beside her, an advert caught her eye.

Say it with a card.”

She sniffed. What a way to break his heart.

Ouch, Susanna. Just…ouch.

But, don’t let me depress you! Do go over to this week’s 100 WCGU site and check out some of the delightfully funny stories there!

Spot On [Fearless]

The other day, I couldn’t get a scene to work. This happens on a lot of days, actually, but this particular one was just grinding away at me. It was so frustrating, I wanted to just throw my laptop across the room and give up, say, To Hell with it, and let the story wither in my archives, like so many others.

Then, I received this message:

…[H]ow you describe the struggles of the main characters dealing with overcoming there [sic] personal issues and the physical issues of someone who has been confined to a wheel chair…is spot on. I really appreciate and admire how you got the pain and issues that are both physical and mental correctly for both characters.

After reading that, I felt awesome.

It’s easy for me to write facts. It’s also easy, sometimes, for me to write dialogue. And characters, and plot. But emotion made true – that’s where I pour a lot of my energies. It’s what I enjoy about stories (the conflicts of personalities), and it’s one part of my writing I try to do well. For that, I dig deep, into my own experiences, doubts, thoughts, heartaches.

So, when a reader – even a beta – comes back to me and says, Damn, girl, you got that right, it makes me think maybe I can do this, maybe this story is worth sharing beyond digital clippings and drafts passed to pals. And I sat back down and cleared my head…and the scene worked.

There’s still a long road ahead of me (revisions, edits, queries), but I’ll always keep that feedback pinned close to my desk, for the next time someone makes me feel like my writing is shit.

“Spot on.” Hell, yeah!

What keeps you writing your story?