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A bit of simplicity

I try to keep my eyes on various writing challenges around the Web. Some I’ve bitten, while others I decided to forego, for one reason or another. Here are three I’ve done in the last few weeks.

1. Scottish Book Trust runs a 50 Word Fiction contest. The prompt for this particular one was “takes place at a birthday party.” As with all prompts, I like to go with my first gut reaction, and I try to keep the effort to no more than an hour, since I’ve got other projects to work on. I did end up submitting this one.
As a side note, I got the heads-up for this particular contest from the Limebird Writers’ Writing Competitions and Opportunities Digest from January 13, 2014. These are updated weekly, so take a look if you’re interested in any kind of challenge, big or small.

Momma’s Come Home

He’d wept her first day, as her baby smell filled his nostrils. Six years later, when he’d cradled her broken body at the icy roadside. And today, her tenth birthday, when her mother returned, leaving him with only the haunting squeak of an empty swing, and his aching, lonely tears.

2. Neeks’s The Short and the Long of it blog has been running a 3-word prompt fiction challenge. For this one, the words were “beginning, ending, life.” I didn’t stick perfectly to this one, and I felt it ran a bit long and rambling for the challenge, so I decided not to submit. Still, it was fun to look at somewhat familiar characters through a different lens.

Collateral Damage

In the beginning, he’d had a dream. A perfect dream of perfect logic, where choices led to consequences, actions forged results, research brought conclusions.

She’d been a perfect mentor for him, teaching him well with her professional dedication and insistence on probing background checks, thoughtful interviews, and detailed evidence reports. Together, their clearance rates went unmatched in the department.

It was a good life, if solitary. Because no woman ever lasted. None could do, not against the tugging allure of the next murder to catch, the next criminal to convict, the next opportunity to show his pompous, prideful captain how very, very good he was at his job.

“Because of me,” Susan always reminded him with a smirk.

“Because of you,” Luke always admitted, equally smirking.

A good life, if solitary. Until that one stakeout, when a shaft of streetlamp light shining through the window struck her face in just the right way to make him realize his clearance rate, his success record, his whole life was nothing at all, without her.

She’d drawn back from his kiss…for a moment. Then, with a sigh, she’d put her arms around him and joined him in his clandestine desire.

She was more mentor to him in that cramped hotel bed than for any case they’d ever worked, though she’d always told him he was a fast learner, and he made sure to prove that to her. Again. And again.

He should have just stopped then, because endings weren’t something he’d ever done well. But he’d wanted her to know all the foolish, short-sighted mistakes of his youthful heart had been only that: missteps taken too quickly, too recklessly, for suppressed want of the only woman who’d ever taken the time to understand and know him as anything more than a fact-checking drone.

“Susan,” he whispered before a kiss, the rest of the words from his heart ready and willing at the tip of his tongue.

Except this time, the cringing drift of her lips was more than a moment.

“This can’t ever happen again,” she muttered, and shifted up from the bed to dress. Professional. Solitary.

He never kissed her again, or held her in his arms, or made love with the same tender, honest feeling as he’d done that night.

Except in his dreams.

3. Lillie McFerrin runs Five Sentence Fiction, where, each week, she gives readers a one word prompt for inspiration. The prompt for this next one was “Moonlight.” I…don’t know why I didn’t submit this one. I think it was too late (each challenge runs for one week). I had fun writing it, though, which is mostly why it appears here.

Nobody Does it Better

He watches in a stare as her blades slice, hissing and precise, scattering snow in their wake. She leaps and lands, one slender line carving its cutting edge deep. Turning, now, she races through a cloud of breath straight toward him, moonlight kissing her white-as-ice smile, and he thinks, even if he dies tonight, he’ll go happily, for this glimpse of her grace set free.

“I’m not going to just let you watch,” she says, as he’s blinded a moment by a fountain of flakes. “Come skate with me.”

Most writing challenges seem to be designed for people who want to write but don’t have a work in progress or current project on their plate. For someone who is working on a standing story, challenges and contests can offer a distraction from the heavy thinking of a draft or edit. Or, they can be an excuse to procrastinate. No matter how you choose to view them (both perceptions are valid), I can’t deny they often let my brain venture into new areas I might not consider while working on a larger project. And, sometimes, I just like to procrastinate a bit, too.

Everybody needs a break now and again. What’s your favorite way to take a break from your writing? Do you try a challenge? Free write? Take a walk? Have a dance party?

 

“It’s not really about the fishing”

No preamble for this bit slew of free writing I did over the course of Friday day/night…except a note to say thanks to Kourtney Heintz, for prompting me to actually write this piece, in her comment from last week’s 2013 WordPress blog report, made in reply to how I should maybe focus this blog on topics like “deep sea ice f***ing.” I’d meant that only as a joke, honestly. But, once a seed gets planted, it has to be quashed or nurtured.

The story below revisits Marshall Wright from another previous post, and takes his story a bit further than the short-ish story I wrote over winter break. There’s the suggestion of adult situations herein, but nothing graphic. I think, more than anything, the length of this one will probably lose me some reads/comments. But, I had such a good time writing this, all 3000+ words of it, I won’t fret about what should be done differently, here, or any of that. It felt great to write all of this in less than 24 hours, on a single prompting, I don’t regret it, any of it.

Take a look and read, if you’re so interested. Or, skip it, if you’re not. I’ll be back next time with something different (and shorter), I’m sure.

“It’s not really about the fishing” (more…)

Heading into 2014

I know I’m two weeks late with that header, but I had more pressing projects on my mind last weekend. Anyway, everybody at WordPress should have gotten a stats report for 2013. You can click the link below to see mine.

Click here to see the complete report.

If I were a savvy blogger, I’d use this data to build my blog around what visitors want to see…which, in my case, is  “underwater [or under water] sex” and “scuba sex fiction.” So, join me next time, when I’ll be chatting frankly and in-depth about deep-sea ice f***ing! (Not really.)

Special thanks to my top commenters of 2013:

JM McDowell

4amwriter

shadetheraven

thespooneytoaster

Kourtney Heintz

Damn, that feels good!

Pardon the unscheduled update for the blog.

A few weeks ago, I got a new story idea out of the blue. That idea was “Finding Mister Wright.” The synopsis I posted was only a rough outline of what I thought the story would be. Of course, somewhere in the writing, Marshall hijacked the story from my initial inklings and made it distinctly his own. The core is still there, but the overall story became something rather different, with new characters, new relationships, and a new ending. To spite what it does to my planning, I love it when that happens.

Thirteen days, fifteen chapters, and a tad over 20,000 words later, Marshall has a story. A kind of Christmas story, even. While this is “only” a first/rough draft, I feel pretty damn awesome to have brought his story to light. Or, at least, part of his story, since I’ve grown to like him a lot over the last almost-two weeks. What may be the best part, though, is that I set myself the goal of finishing this story before the end of this weekend, and, damn it, I actually did it.

I guess now it’s time to find out if those folks who said they’d read my stories actually do it, too.

Finding Mister Wright

Even though I currently have two full works-in-progress running through my head, my evil brain decided at 4am this past Thursday morning (hi, Kate!) to come up with a completely new plot bunny. The good news is that this potential plot develops rather organically from the stories I’ve been writing these last few years, so I think I’m in a better place now to tackle some of the issues to be presented therein than I would have been even a year or two ago. The bad news, of course, is that I don’t need a new story to write right now.

I’ve had persistent plot bunnies hijack my waking brain before. Usually, writing down the one or two integral scenes in my head allows me to move on. This happened most recently with that bit of Pacific Rim side character story I had. But, this new one is more elaborate than a single scene. It’s grown from a place of inner turmoil and dissatisfaction, one that would take more than a few thousand words to satisfy the nagging in my head and guts.

I keep thinking the stories and characters to have come before each new story are simply leading me to The Story of my writerly life…which each successive story still fails to be. Too long, too complicated, too much sex, not enough action – there’s a slew of reasons why my inner critic and editor always decides any particular story is not The Story I’m meant to share with the world…if there even is such a thing, for me. I write and share those stories anyway, of course, because I can’t not write, and I feel like a story not shared is hardly a story at all. But, how am I supposed to know where to put my efforts? Just keep moving forward, absorbing and learning and creating as I go? Should I just give up on The Story and write the lesser stories that come into my head but still manage (somehow, folks surely wonder) to bring me joy?

For anyone interested, below is the plot idea I had, the story’s working title being the title of this post. I guess I’m curious to know from any of you if the idea is worth pursuing…though, I’m pretty sure it will get written no matter what anyone says, if I decide so. Because I’ve been in an FTW sort of mood when it comes to my writing, lately. 😉

Marshall Wright has the perfect uncomplicated life. He loves his days as a paramedic pilot and even more his nights of bachelor autonomy. No clamoring kids, no ball-and-chain, not even a nagging girlfriend to make him stop drinking milk from the carton and leaving the toilet seat up. No one to help him finish off that opened bottle of Shiraz, either, but that’s all right. His freedom isn’t worth the cost of a woman’s saved mobile number, not when there are so many beautiful women to be had.

Civil rights attorney Sasha Price should have been just another beauty to share his bed one night. But, oh! That night! Marshall can’t stop thinking about that night, about the woman who gave as well as she got, enough to make his head spin.

He looks for her again, back at the bar where they met. That one night leads to two, three, four, and more, full of wine and roses. His friends think Sasha may be the one to get Marshall to move on from his swinging bachelor ways. Marshall even starts to think so, too, when the woman of his dreams drops a bomb he never could have suspected.

A girlfriend is complication enough in Marshall’s life. The secret of Sasha Price’s past adds a whole new set of ingredients to the mix.

…But, damn. She might just be worth it.

(This is also a first attempt at me writing a synopsis. I don’t know if it gives away too much of the “plot” in these few paragraphs, and it’s a bit too long to satisfy most submission rules (232 words). The story itself has less to do with the “surprise” than it does with the ramifications of the protagonist learning it. Though, I do wonder whether I should make that particular hurdle known in the synopsis, so readers would know what sort of story they’re in for.)

I won’t put you on the spot about this idea or the synopsis itself, so how about this question: how do you decide on which story you should concentrate, when you’ve got more than one (or two, or three!) fighting for your attention? 

Recycling the family tree

So, as some folks know, I’m writing this sci-fi western story based on a videogame universe. Blah blah blah, I know, it’s fan fiction and not real writing, whatever. I’m still having a blast with it, and just one of the reasons why is it’s given me a new perspective on some old characters.

For those who read “Anywhere but Here,” my 2012 NaNoWriMo project: Remember Tych and Imien? They were the pilot and the cypher, the secondary runaway characters following the two mains in the teenager half of the story. (Don’t worry if that’s confusing. It’s not important for this post.) Anyway, I came to a point in my current story, “From Hell,” where I needed a getaway ship. At first, I’d planned to model the ship’s captain on the character VT from the seventh session (episode) of the anime Cowboy Bebop, “Heavy Metal Queen.”

vt-bebop

– screen capture: “Cowboy Bebop” –

If you’ve any interest in anime, sci-fi bounty hunter stories, or jazz music, check out Bebop. But, again, not important to this post.

In playing around with the different interaction scenarios between the main characters of “From Hell” and the ship’s captain, I realized the ship couldn’t have just one crew member. So, I developed a daughter for Janus (that was going to be the captain’s name). On the story went, but neither Janus nor the daughter character really took hold with me. The daughter, by the way, never even got far enough in my thought process to get a name. That should tell you something about how well that subplot was going.

One afternoon, I was sitting at my writing desk working on designs for the ship. (That went through a few permutations, too.) I stumbled across an old sketch I’d made of the Ridout, the smuggler’s ship from “Anywhere but Here.” Never one to pass up the opportunity to save the world from my terrible vehicle sketches, I considered my work on the new ship done. And, quite suddenly, it hit me.

I already had a smuggler crew, all ready to go, fleshed out and everything. Enter Tych and Imien…or, as I renamed them, Twitch and Ivory. I’d always liked the Tych and Imien characters, but their personal stories never got any deep attention in “Anywhere but Here,” focused as the story had been on the more major plight of four teenagers on the run from the galactic government. Bringing them into “From Hell” offered me a chance to examine their personalities in a more acute light. Plus, their own conflict, such as it is, relates well to that of the main characters…who are also on the run, now that I think about it, but that’s a thought for another time.

Of course, Tych and Imien had to go through some changes to make the jump from one universe to the other, but I couldn’t believe how stupid I’d been not to consider reusing these characters before! I’d borrowed pieces of other characters to create new ones before – I think every writer does that, at least at a subconscious level. For instance, the second principal character in “From Hell” – Hal, Axton’s engineer partner – developed from a mishmash of Amber from Fearless (cultured and sensitive, but also an elitist snob), and the Brock and Captain Aral characters from “Anywhere but Here” (sharp, loyal, a know-it-all techie, but afraid to pull a trigger). In turn, those characters developed from ones to come before them. I could draw up a whole family tree of where my characters come from…but it would probably be as confusing as the Baratheon/Lannister line of heirs!

I had to bring this up because I’m just having so much darn fun writing this story, and I wanted to share some of my excitement. I’ll go back to more serious stuff next time. Maybe.

Do you recycle characters?

First Tries and Second Chances

NeeksWriteWeek1

Maybe you know Neeks? Well, if you don’t, this is a great introduction!

Over at her neekswrite blog, sweet Neeks has started a brand new contest of sorts, called “The Short and the Long of it.” Each week, Neeks will give her readers 3 words to use as prompt for a story or poem. It doesn’t matter how long or short the story/poem, though there are a few standing caveats regarding subject matter and word usage (specifically, no XXX, no swearing, no harming of children). For Week 1, we’ve been given these three words:
Plaid Moisture Defenseless

Now, my own judgment on what counts for XXX and harm is somewhat lapsing, these days, so I’m posting here instead of over at Neeks’s blog. Plus, my entry goes over 500 words, though only a bit. I’m also horribly mired in one particular story right now, so my mind couldn’t jump from these characters as readily as I might have liked. I did tweak them, though, but I think any readers of the sci-fi story will get ’em right away. Anyhow, here goes….

She pinned the clothes to the line, the sum total of her life: two denim coveralls, six colored shirts, three plaid miniskirts, and a pair of baggy trousers. Candy-cane-striped socks and boyshort underwear. And one lone dress, slender and colored crème, little more than a slip, really. But, it always made her feel a real woman. A fact everyone else on the planet conveniently seemed to forget.

Except for him.

Sure, twenty-seven wasn’t what she’d been looking for. But, she’d come to know him for who he was. More than just a hunter, grifter, or rogue. She knew him as a man. She’d heard it in his voice, felt it in his touch, tasted it on his lips. Against them, she’d been defenseless.

Sure, nineteen was young. But, he saw her for who she was. More than just a hacker, mechanic, or getaway driver. He saw her as a woman. He’d told her so in his whispers to God when they were alone beneath the stars, in the pattering of her heart when he’d squeezed her hand as they’d run, and in the tart need of his kiss before he’d made his farewell, followed by a hushed promise to return. Left with only that, she’d felt naked.

That had been a week ago.

Of course, she’d worried he’d been waylaid by roving scavengers or bandits. But, worrying didn’t make the time pass any faster. And, of course, she’d wondered if he’d been diverted by other, more…familial distractions. But, wondering didn’t make it true.

So, she waited. And tinkered. And washed. And put her clothes on the line, watching the dewy wetness in the creases dry beneath the desert sun…until she heard the rustle of tyres in the dirt.

The cloud of his stop was still hanging in the air as he jumped from the driver’s seat, with the spryness of a boy closer to her age than his. He scooped her up with a whoop and spun her about, hushing his own voice against her lips.

She laughed when they parted. “I can’t believe they let you go,” she said, smoothing her fingers over the scar at his temple, where once there had been the insignia of the hunters’ guild.

He grinned up at her, still caught in his arms. “Nobody’s gonna tell us what to do. Not anymore, and never again.”

She just laughed again, flicking away the moisture on her lashes with three quick blinks.

Her tear bounced to his cheek, making his grin soften. He squeezed his arms tighter around her, murmuring, “You ready to marry me, darlin’?”

She bobbed her head, a fresh slew of tears brimming on her lashes. “Just let me get my dress,” she said, and grabbed his face to kiss him again.

She spent her wedding day in that crème slip of a dress, but not her wedding night. That, she spent in his arms and a wind of rough motel sheet that kept them together for what felt like it could be forever.

“I love you,” she whispered during one relaxing lull.

His face, half-lit by the streaming moonlight from the window, smiled down at her. “I never want to be with anyone else,” he said, and bowed his head to hers.

She closed her eyes and waited for the press of his kiss, when something wet touched her lips. Again, wet.

She licked them. Salt.

She opened her eyes but couldn’t scream, despite the dripping blade sticking out her new husband’s neck.

Behind his head, she saw the black mask of a hunter, who muttered, “You won’t.” His eyes flashed to hers, as he added, “Daddy says it’s time to come home.”

This one took me to a place I hadn’t expected. So, I think I’ll borrow from Neeks’s own name, here, and end with… EEK!

Why not try your hand at Neeks’s new contest? It’s great fun!

Confettifall Christmas Contest – Processing a submission

Earlier this week, LimebirdVanessa over at Limebird Writers posted the 25th edition of their Writing Competitions and Opportunities Digest. The series in itself is full of great opportunities for writers of all genres, interests, and skill levels, but one of them stood out in particular: the Confettifall Christmas Contest. Head on over to the Limebird Writers post to get the full details (and more!).

You back? Okay.

As you’ve read, the Confettifall Christmas Contest is to create a 140-character story. Confettifall’s site says there is no particular theme for this contest, so we could write whatever we wanted, with a few caveats (no profanity, no pornography, and no poems this time around). Ordinarily, these guidelines alone would hamper my ability to tell a story, but with only 140 characters to do the deed, I couldn’t waste my character count on foul words or play. I’m wordy enough as it is!

I wanted to have a very simple theme – romance/revenge – and a moment from my past struck me. On a lark, I’d gone to a palm reader with some friends of mine. We each had our pasts/futures read, with varying degrees of accuracy. The experience was mostly just a five-dollar jaunt into something silly we’d never done before, a fun way to pass the time while we waited for the guys in our party to show up. But, one line from my fortune teller stuck with me that night, and has continued to stay with me for many years. You’ll see what I mean….

Below is the process I took for this particular challenge. It’s pretty standard to my normal challenge process, though I’ve put in some of my internal monologue, just to keep things interesting:

Goal: Write a story in 140 characters.

First try:

The tarot reader had been spectacularly wrong on most counts: she had no children, no white picket fence, no important job. Certainly, the loving, faithful husband bit was a joke. But, the old woman had said one thing that had resonated with young Cecilia: “That which you cannot create, you are destined to destroy.”

Jace, her “loving” and “faithful” husband, never saw the shot coming.

Character count: 386. Okay, that’s way too long, but I’ve got an idea going. Now, to start whittling.

Second try:

While wrong on most counts, the psychic had made one correct prediction: What Cecilia couldn’t have, she’d destroy. Shame Jace didn’t hear it, too, or he’d have known about the gun.

Character count: 181. Not bad, but it doesn’t punch. And, 41 characters too many.

Third try:

What Cecilia couldn’t have, she would destroy. That had been her tarot reading.

Jace had called it cryptic nonsense. Maybe if he’d listened, she wouldn’t have shot him.

Character count: 167. I like this one better. It’s closer, but STILL too many characters. Need to whittle it down by 27.

Fourth try:

“What you can’t have, you will destroy,” the psychic said.

Her husband called such advice money-grabbing malarkey.

Maybe. She still shot him, though.

Character count: 147. I’m drifting into slightly more black comedy territory, here. Maybe not a bad idea.

Fifth try (Starting to wear thin):

“She told me, what I can’t have, I’ll destroy.”

“Bull,” her husband said, swinging his wandering eyes back to her.

“Really?” she said, and shot him.

Character count: 146. I’m starting to hate this contest. And my writing.

Sixth try:

“The psychic said, what I can’t have, I’ll destroy.”

“Bull,” her husband said, swinging his roving gaze her way.

Maybe. She still shot him.

Character count: 140 (tested in a Twitter window). Huzzah! Perhaps this isn’t prize-winning material, but I’ll leave this one where it stands. While fun in terms of a contest challenge, it’s not quite worth it to spend any extra time on.

The whole exercise took me about an hour, from first initial draft idea to what I came up with at the end. Even though this is an “official” contest with a prize and everything, I decided I wouldn’t spend more than an hour on it, just so it wouldn’t distract me all day from the rest of my writing projects. But, it was still fun.

What do you think? What sort of process do you go through for prompts/challenges like this? On a less writer-y note, have you ever had your fortune told?

What makes a good man?

(Mostly recycling from Tumblr again, because, after a long week spent helping care for my dad, who’s still going through chemo, I just don’t have the energy to put forth a completely new post.)

In a recent post over at Kourtney Heintz’s Journal, Kourtney brought up the idea of which actor might play which character from her book, Six Train to Wisconsin. While this is different from the idea of who or what may inspire a character, it did make me realize that many of the characters – notably the female ones – from my most recent story were actually based on specific looks and performances.

In “From Hell,” the main character’s appearance has already been determined for the reader, because he’s a borrowed likeness:

-Axton, the Commando-

-Axton, the Commando from “Borderlands 2”-

The story may be about Axton, but there’s a slew of women in the supporting cast whom I’ve just adored writing. Among them:

Cin, the charming and sensuous madam who runs the brothel “Cin’s Deadly Seven,” and who was based on gorgeous Adrienne Barbeau’s Ruthie from “Carnivale,” complete with slithering snake tattoos;

Ruthie, from Carnivale

-Carnivale publicity photo-

Red Widow, the cunning, discerning, and dangerous grifter who gives Axton a full-on run for his money in the sexuality and profanity departments (inspired by Gail Potocki’s beautiful and intimidating art below);

image

-by Gail Potocki: “Femme Fatale” Cella Gallery show press image-

Marshal Kotonou, who wears a duster and wields a shotgun as well as any man, for protection of her borderworld town (and to whom I’ve attempted to give a nod of attitude and beauty to Gina Torres’s Zoe from “Firefly);

image

-“Firefly” publicity photo-

Lucy, the practical and sassy prostitute who has better insight into the main character’s head than he does, himself (based on the luscious Patricia Arquette’s portrayal of Sally Wheet in “Boardwalk Empire”);

image

-screen capture: “Boardwalk Empire”-

and Sarah, the main character’s ex-wife from his military days, who provides some telling background about why he is the way he is (inspired by the many roles of lovely singer/actress Ana Brenda Contreras).

Photo by Valeriatroche (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons
Oh! And, of course, Gaige, the girl who starts the whole story rolling (head on over to Contagious Media for the full photoshoot)…
-Gaige cosplay by ContagiousMedia-

-Gaige cosplay by ContagiousMedia-

Stories about men tend to focus on just the men. Especially in the Western genre, where supporting women can fall into pretty predictable (and often hackneyed) categories. The women Axton encounters throughout the story might exist within those same categories, but I hope I’ve added some new dimensions to a few of them. They’re just so much more fun to write, that way. Hopefully, readers are enjoying the women in this story, too. Because, really, what’s a man without a good woman, whether she’s there to screw, fight, or be his conscience?

From where do you get your character inspirations? If you could cast anyone as one of your main characters, who would it be?

Believe it or not

This week, Lillie McFerrin’s prompt for her Five Sentence Fiction challenge is “LETTERS.” Hop on over to Lillie’s site to check out other worthy entries, or try your own!

Ancient-book-Desktop-Wallpaper

John didn’t believe, because belief granted power, giving purpose, tooth, and fang – and more, with numbers – to what should have stayed amorphous clouds of mere ideas. He’d read the texts, studied the stories, but always kept his distance from the mysticism: stay back from the fire and don’t get burned.

His colleagues challenged him, of course, with goads and pranks designed to make him crack, but he never gave in. He even snorted in disdain at their latest joke: a leather-bound book delivered to his darkened doorstep by unknown courier, its hackneyed prophecies scribbled in umber ink. No one would call him a frightful fool, so he read, deeper into meaning and long into the night, until he decided he’d learned enough to state his dedication to the cause of his study and his own stoicism…when his heart stopped, and he stared, as the letters on the page moved.

My primary major at university was English Literature (with a double in Classical Studies – super-employable, that combo), but I also took a few classes in Theology, for which my institution was known. Beginner theology is pretty standard stuff: a lot of translation and interpretation, with a heavy dose of well-chronicled history, believe it or not. Throw in some sociology and cultural studies, and it becomes more of a snooze-fest. I did have one class, though, that both totally sparked my interest in the field while at the same time completely freaking me out. It was a guest lecture by one of the Jesuit brothers who was a rather renowned demonologist (yes, they are real; William Peter Blatty supposedly consulted with this priest in regards to his novel, The Exorcist). He stood in front of a class of about fifteen students and told a story very similar to the one I’ve written above: about being up late one night in his seminary room or wherever, reading some so-old-it-farts-dust manuscript, and seeing the letters on the page move. Not just waver, but actually f—ing shift on the page. It remains perhaps the most awesome and most frightening thing I’ve ever heard…because, whether it really happened or it was just his tired eyes playing tricks on him, he believed it.

I remember wanting so badly to experience this sensation. So, I went to the university library and tried to make it happen.

FULibrary_FromStreetThe university library was a converted cathedral, a real Gothic throwback in the middle of the city. The inside is very modern, more so now than even during my days there, but when you looked up at that monolith of a central tower from the street, especially at night, it made for an imposing sight. In the stacks, it got even worse:

the london library photographed october 2010.Cramped quarters and rickety spines all around. But, I remained determined. If anything weird was going to happen, it was most likely going to happen in the library. I mean, we had a copy of the Malleus Maleficarum, for pity’s sake! So, with the Dewey codes for the demonology texts scribbled in an uneasy hand on the index card in my fingers, I made my way up to the Theology stacks. I remember feeling giddy as I scanned the guide numbers on the shelves. And then, walking halfway down a deserted aisle, the numbers on the card and the numbers on the shelf matched up.

I stared at that book a long time. I don’t remember the title or the author, but I do remember it had a brown spine, with that gold leaf lettering that always seemed so popular on highfalutin’ academic texts. It looked relatively untouched, too. I remember that, as well. Because I thought, Why is this book just sitting here, as if in wait? (I was pretentious enough at that stage to have thought the phrase “as if in wait.”)

Now, I’d like to say I picked up that book and nothing happened…or, that something did happen. The truth is, I pulled an awkward teenager move and picked up the book three titles to the right and muttered under my breath something like, “Oh, this is the book I’m looking for,” even though no one else was about. Years on, though, I often consider that moment of standing in the stacks: what could have been or what I might have learned. The power of belief, if you will.

It’s a marvelous thing.

Did you work in any writing challenges, this week? Did you challenge yourself some other way? (You don’t have to have become a demonologist.) Let me know!