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Stagger to Sway [Threesome!]

It’s a threesome this week (no, not that kind of threesome, silly!), as I attempt to combine prompts from Julia’s 100-Word Challenge for Grown-Ups, Lillie McFerrin’s Five Sentence Fiction, and The Daily Post Writing Challenge!

Julia’s prompt this week (week 73) is “…the notes from the piano… Since we are to incorporate said phrase, we’re allowed to go to 105 words instead of the standard 100.
Lillie’s prompt this week is FORGOTTEN, and we’re to construct a story around that theme, in five sentences. We don’t have to use the prompt word itself.
The Daily Post’s prompt this week is Starting Over. There are no constraints on word or sentence count.

Let’s recap: 105 words, five sentences, with themes FORGOTTEN and Starting Over, and including the phrase “…the notes from the piano….”

This is my first time trying to pull together three different prompts around one idea, but I think I did pretty all right….

“Stagger to Sway”

Dance, he’d said, as if she could do; her dumb legs could barely remember how to stand, but for the clanking metal of her Zimmer frame! He’d never let her sit back, though: from grabbing her first wave, to making her step up from her chair.

“Everyone’s staring,” she protested.

Tugging her up, he muttered, “Forget ’em,” and, using his hips and shoulders, he took the place of her Zimmer and helped her lurch, inch by staggering inch, from sofa to open floor.

She cursed such slowness…but, in his arms, as the notes from the piano reached her, they began to sway, and she forgot.

(Yes, I know, I forgot pockets. Just as in real life, though, I got distracted by the bum.)

(Yes, I know, I forgot pockets. Just as in real life, though, I got distracted by the bum.)

This vignette derives from an early (scrapped) draft of a scene from Fearless, so the characters and conflict are likely familiar to my beta readers. However, the original scene read as too schmaltzy for that particular part of the story (and, you may think it does so, here, as well), but I’d still rather liked it, at its core.

People say you should never completely scrap what you write, because you never know when it may come in handy. I had to do a fair amount of tweaking, but this stands as one of those lucky moments when I got to go back to something I wished I’d been able to keep in the story proper.

Did you play with any of these prompts this week? What happened with the notes of the piano? What was FORGOTTEN? How did your characters Start Over? Let me know!

Changing it up

In the year I’ve had this little blog space, I’ve tried to keep to an update schedule of three times per week: I reserved Mondays for talking about and posting some pages from the Fearless novel, I kept Wednesdays for creative writing prompts (usually 100-Word Challenges for Grown-Ups or Five Sentence Fictions), and on Saturdays, I’ve been posting about my writing process in general. In going over my annual statistics report, though (and looking at the hits and comments I get), I’m wondering if three regular topics is too many.

Number 3

The (overwhelming?) power of 3

I enjoy doing writing prompt challenges, but I don’t always have time for them they don’t always interest me. I like giving readers insight into Fearless (which I’ve taken to calling my beautiful mess), but I often use it as an example for my Saturday process posts…and, most readers around here have their own stories they want to tell, so I’m thinking my posting parts of the novel on Mondays is just plain old boring for them. Plus, many of us have made new year resolutions to buckle down with our own writing this year (I know I’ve done), so maybe three times a week is simply too much to take in.

In light of these considerations, I’ve decided to try updates twice a week, instead of three times per week (at least for the next six months). Since my photo/art blog already posts on Mondays, starting this week, Process posts (about writing and the current work in progress/WIP) will occur on Wednesdays, and writing prompt responses/original short fiction posts will occur on Saturdays.

Weekly-Calendar

Hopefully, this will help me write better posts, read/comment on more of your posts, and let me concentrate a bit more on my storytelling.

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What schedule do you keep for your blogging? Do you keep a schedule? How many updates do you consider not enough, too many, or just right?

Visualization

(Or, visualisation, if it please you, Beth. ;))

I think writers should be as visual as traditional artists. Perhaps more so, because we need to provide description for a reader, without the benefit of a comic panel or moving image. But, dwelling on description overlong can become tedious for a reader, and that we never want.

Good morning,” he replied, coming to a slow stop in front of her. He propped his board beside him, shielding her from the bright sun; it didn’t make her any less pretty.

“Ah…Amber, yeah?” he said, feigning blase non-involvement.

She nodded. “And you’re…” She paused a moment. “Fearless?”

He snorted. “Close enough. Ross.”

Right,” she said. Though from her smile, he guessed she hadn’t needed the reminder, either.

He raised his brow at her. “You need help with something?”

You said I should stop by,” she reminded him, as she glanced up at the sign of the shop, with its graffiti-style lettering. Looking back to him, she smiled again. “So, here I am.”

Here you are,” he echoed, as he felt himself break into a smile, too.

That’s the only time the shop sign is mentioned, but I still came up with a design:

Fearless_ShopLogo

The Fearless shop logo

Mostly, I did it because I like playing around with graffiti. But, I also think it’s important for a writer to have a firm vision of the world in which their characters live. The more we know – either in our heads or on the page – the less we need to explain to the reader: the details usually invariably find their way into the story on their own.

I design (or, at least, I keep detailed notes for) every location of any import in my stories, from Ross’s living loft above the shop, to Amber’s hospital room, to the Truro flat. I did the same for a Japanese apaato and a country ryokan, a starfaring tramp tanker and a soldier’s little love nest. Because understanding where your characters are will help everyone understand where they go, how, and why (we call that “blocking” in theatre-speak).

How do you design your locations in your stories?

FSF / 100WCGU: “Between Them”

I’m doubling-up on prompts again! (Why not start the year off right?)

Lillie McFerrin’s Five Sentence Fiction prompt is “ENDING” and week 71’s prompt for the 100-Word Challenge for Grown-Ups over at Julia’s Place is “…as midnight struck….

As a side note, I rarely put forward for Julia’s challenges anything I personally would deem above and/or beyond the PG rating certificate (Lillie’s challenge comes with no caveat about rating, though I think we police ourselves well enough), but I’m rather liberal about mature subjects, myself. I leave you to be the judge if this is inappropriate.

“Between Them”

2008-1227-EncoreLV-002-Pan

The first time they heard midnight strike together, there was just the job between them: script, soundtrack, timecode, a story due by deadline.

The second time it happened, though, they passed between them their own stories, of husbands, wives, and wanton regrets, kept secret until that moment.

By the third, between them there was nothing at all, save the taste of wine on fevered lips…and prospects of forever whispered in his dark hotel room.

So, on the fourth, while still wrapped around each other, he asked the question smoldering between them. And, in his bed, as midnight struck, she answered with a kiss.

I’ve stayed away from Robb and Emma for a while, but this double-edged sword of a mixed prompt plucked at my heartstrings a bit too much to ignore.

What ENDING did you create? What happened when midnight struck? Let me know!

There Are No Villains

There Are No Villains (1921) 1

Amber smoothed her hand over his tie, flattening it against the line of buttons on his shirt, and looked up at him, her expression an odd mix of hesitant and hopeful.

I know this isn’t easy for you,” she muttered. “But, I really want us to try and have a pleasant evening. All right?”

Ross did his best to return her a smile, but it didn’t quite work. Because as much as he’d said (and wanted to believe) Sam was no threat to him, stepping onto her turf, into her sphere of influence, for the first time since that Christmas past – the night everything changed – was something entirely different.

Finally, he could only shrug, and say, “I’m here, aren’t I?”

The original title of this post was “Villains and Lovers,” but I thought the title for the 1921 film (which still is above) – “There are No Villains” – was more appropriate. Because one man’s villain is another man’s lover, just as one man’s insanity is another man’s genius, or one man’s trash is another man’s treasure.

In the snippet above, the character of Sam stands as an antagonist for Ross. But, as the story is told only from Ross’s perspective, I want the reader to make his or her own judgments about Sam, apart from Ross’s prejudices. They need to do, if they’re to get a fuller picture of who she is and why she does what she does. Because, as I’ve said, one man’s villain is another man’s lover.

Villains in themselves can be a tricky lot. Some – a few – are absolute: devils incarnate who serve only to tempt, subvert, and destroy. More often, though (or, at least, more interesting), are the villains who exist as three-dimensional characters. In fact, your villain probably should have more than one dimension to them. If they just want to press that red button that blows up the world, there’s not much conflict that can’t be solved with a solid punch to the jaw (or a swift-talking mediator, if you prefer). But if your villain is a character in his or her own right – with feelings, motivations, and (dare I say it?) sympathies – that can and probably will create much more depth for all of your characters, not just that one.

What kind of villains are your favorites to read, or to write? Do you have suggestions of great villains to check out? (Of course, all of this applies only if your antagonist is sentient. You can’t exactly reason with a typhoon or a tumbling asteroid. Or, maybe you’ve figured out a way to do that, in which case, I really want to read your story!)

100-Word Challenge: Shattered Silence

It’s Week 69 for the 100-Word Challenge for Grown-Ups!

This week, Julia is being particularly timely, with the prompt of …Bah Humbug!….

I’ve been writing plenty of 100-word stories for the Nightingales, but this one struck a familiar chord in me, as it’s based on a true story. I hope you enjoy!

“Shattered Silence”

Despite the danger of discovery, Sally let herself whine. For so much sweeter than any cinder toffee was the taste of his shoulder, so much more warming than any port was his breath against her neck. Even all the wrapped, ribboned prizes tucked beneath the tree in the parlour – she’d trade them all for just a few more minutes clutched in his strong, stolen embrace…!

But Katie’s shriek – “It’s Christmas!” – followed by Billie’s less articulate echo after, shattered the moment like a delicate glass ornament.

Larry groaned. “First thing tomorrow,” he muttered, “I’m arranging for a vasectomy.”

Happy, safe, restful holidays to you all!