My “No Sex with Ax and Hal” 30-day writing challenge is officially finished! Only 1 or 2 people read most of it, but that’s okay. I accomplished what I set out to do, which was to write – and post – a complete vignette/chapter/scene every day for 30 days straight. (It actually ended up being 31 days’ worth of writing, and 32 chapters written, including one epilogue for each of the two mains, because I don’t like to leave too many plot threads hanging.) If, in that process, I also got to add a bit of characterization to my main Borderlands romance bros, all the better.
Not sure what I’m going to write next. I’m rather tired of feeling lonely in fandoms, so I’m thinking maybe I should return to my original fiction, like Fearless or Finding Mister Wright. Or, maybe I’ll finally get cracking on that detective story. At least with my originals, it’s alone without being lonely. Regardless, I’ve really enjoyed writing my BL adventurers over the last two years. (Has it really only been two years?!) They taught me a lot. They even found me a few new friends. I’ll always love ‘em, for that.
As of 10:22pm ET, Thursday, March 12, 2015, I finished the content pass edit of my pseudo-novel, the homoerotic space opera western From Hell: A Love Story.
Closed chapter folders in Scrivener = Finished content edit!
I started my Borderlands story of “How the Commando Got His Turret” in July 2013. It’s grown and changed quite a bit over the course of the last year-and-a-half, I think – I know – for the better. I took chapters out, I redesigned scenes, I added and deleted and deleted some more. The original version of this story ran about 112,000 words. This edited version? A little over 83,600 words, as Scrivener will tell you:
Over the course of the latest edit, I cut or reworked a tad less than 30,000 words. I’m sure a professional editor would have helped me work the story even tighter, but, since I can’t sell this story, I wanted to keep my costs down as much as possible. Still, I think that’s pretty good, for a first-timer.
Just because I’m so far happy with this content edit does not mean even my truncated version of the self-publishing process is over, though. I still have the interior line edit, the cover (front, spine, and back), the administrative logistics like ISBN details and credits, the dedication, the compile, and the submission process. But, right now, I’m riding too pleasant a wave from finishing that tough rewrite to think about all of that yet to hurdle.
I could spend a long time talking about why I chose to publish this particular story, how all the ups and downs of my life over the last two years pushed me to try and better myself as a writer, but the honest truth is that I just wanted to see if I could do it. I love this story, no doubt, and its flawed Byronic hero is one of the most fun I’ve written yet. But it is fanfiction, and for that reason alone I can’t get too attached to the men and women on its pages, at least not to the extent I might do for a cast of my own true creating.
I’m not finished-finished, yet. But, looking back on the last six months or so of editing this story, I’m glad I did it. It is a better story than it was, even if some people might disagree. I took to heart a lot of commentary I got from that earlier version, too. So, you know, it pays to tell a writer what you think of their story, because you never know how you might change a book. I’m happy with it, though. And, I’m still as in love with these characters and this world as when I’d started, something I’d feared would fade as I picked apart their conflicts and arguments and make-up moments.
Was it a difficult process? You bet. I can’t I don’t want to count how many times I thought about giving up and tossing the whole thing out the window. Because this is a fanfiction story for a niche fandom, and I’m on the edge of that niche. Because anyone who’d be interested in this story in the first place has probably already read the first draft and won’t want to read an edit. Because it’s a story loaded with bloody violence, graphic sex, drug use and abuse, and foul language that sometimes made me, as the writer, pause to consider if I really wanted to go there. But, the one piece of advice I’ve always believed in, and that I’ve always shared with other writers around me, is to finish whatever story they’re writing. Writing “The End” on a story – even if that end is a crap and totally seat-of-the-pants conclusion – is a real accomplishment. Anybody – ANYBODY– can start a story. A writer finishes them. I viewed completing this edit as completing the story for a second time. Because, with all of those changes I’d made, it did feel a lot like a second story. And getting to write “The End” on this one made me feel so good.
Have you ever edited one of your own stories? Did you make a lot of changes? How did those changes make you feel? What would you recommend for others editing their work?
I figured I’d better put something up here so folks haven’t think I’ve died or otherwise slipped off the planet. While it may seem – from the non-existence of posts on this blog since the end of 2014 – that I haven’t been doing any writing, I’ve actually been doing a fair share of it, over on my other blog, The Highs, the Lows, and the In-Betweens, my ongoing chronicle of my 2014 NaNoWriMo story universe. Here are the post updates to prove it:
I’m one of those fools who gets anxious when I haven’t updated a particular social media outlet or blog in a while, someone who thinks that makes me less of a person writer. But, seventeen story updates for January isn’t too shabby. (One of them doesn’t count, as it’s just a music video link.) It’s not a popular journey in terms of audience size, but I’m having too much fun with this story and these mostly-new characters to care much about that part of it.
Over the course of the last several weeks, I’ve also been working on a massive edit/rewrite of my homo-erotic space western opera story, From Hell: A Love Story. It’s been both interesting and enlightening to see this one evolve from a mishmash of sci-fi and romance ideas designed to cater to a fan fiction audience, to a tighter story of love and acceptance that satisfies my own inner reader. Through this process, I’ve come closer to understanding what my tastes really are, and where my stronger skills lie. I’m sure it will also affect my edits for my waiting-in-the-wings stories, “Finding Mister Wright” and Fearless, both of which I’d like to put through the same wringer starting this year. But, first, I’m working with Scrivener (finally!) to put From Hell: A Love Story together as a real book (courtesy CreateSpace, which awarded two free hardcopies of a book to each NaNo 2014 winner).
Of course, no writer – even a self-proclaimed one – should go too many days without reading something for the fun of it. I continue to enjoy Ross Macdonald’s Lew Archer series of classic detective novels, in the hopes of someday writing my own detective story. But, that’s a post for another day.
Twitter friend Moyabomb asked if I’d share my experiences with my publishing exercise as regards Scrivener, CreateSpace, editing, and artistry, so I’ll have to do a post about that coming up. In the meantime, I hope you are enjoying your own reading and writing journeys!
The title of today’s post comes from the age-old question: which came first? But, it’s not what came first that concerns me this time around, but what’s coming next. For me, it’s…NaNoWriMo 2014!
I know, I know: NaNoWriMo – or, National Novel Writing Month, that month-long free-write extravaganza, for those of you unfamiliar with that strange pseudo-acronym – isn’t really a test of my ability, as I’ve competed and “won” this not-competition five times, now. But, I just came off a few finished stories, and I want to give my brain a bit of a rest for a month. I still want to write, though, because I love the rush that comes with putting new ideas to paper. Since my proposed murder mystery/police procedural/love triangle story demands a more precise plot than my free-wheeling NaNo ways, I’ve decided to shelve ex-Detective-Sergeant Stenhall and the rest for a little while and instead write a yippee-kai-yay loosey-goosey continuation (of sorts) of my recently-completed Borderlands story. It focuses mostly on a group of original misfit characters that I’ve been itching to use for a long time, now, and even just my story prep has gotten me excited about writing this one.
So, for the next five weekly updates, I’ll likely be talking about word count and progress and stress-writing crap, as that’s usually what takes over my brain during NaNo. If you are participating this year, as well, why don’t you join me? Feel free to list your NaNoWriMo user ID in the comments section, here. I’m happy to have a friend in NaNo madness! My username is bonusparts.
For those of you not interested at all in my NaNo endeavors, I’ll leave you with this collage of photos from my recent trip to Japan, where I road lots of trains, ate lots of sushi, got sunburnt at my little nephews’ undoukai, visited the Suntory brewery factory, drank some great Japanese craft beer, and watched some little ninjas chase after a samurai at Toei Film Studios.
What are your plans – writing or otherwise – for the rest of 2014?
Do you picture your characters in your head, do you hear their voices? Do they flesh out the more you entertain them and actually write about them? … Do you even start out with distinct picture of a character/situation that grabs your attention?
Generally speaking, I do have voices for all my characters. They often don’t change, either. And, it helps for me to speak out a conversation when it’s still in the plotting stages as well as after it goes down on paper. If something doesn’t sound natural to me, I spend a lot of time reworking it. Unless it’s plot exposition, though I still prefer that to have a spontaneous rhythm to it. 🙂
My sister has an uncanny audio memory. She’ll hear something once and remember it for years. Even inflections! I’m not that good, but I do think that reworking fiction conversations in my head over and over until they become second nature has helped my character voices a lot. One thing a few recent readers have commented on is that my dialogue flows really well, so I’m proud of that.
Characters become more real for me the more I work with them. I think that probably happens with all writers, though. And, it makes sense. We spend so much time in the heads and hearts of these people, we come to know them better than we know the physical people around us. Likely because we are privy to all the inside thoughts and turmoils. Personally, I project a lot into my characters, though I try to keep some of them to specific boundaries, because they all have different conflicts. (It’s hard to articulate.)
My inspiration often can be traced back to a single face/moment/voice, and, as time goes on, characters develop into their own people. For instance, Daniel (“Finding Mister Wright”) evolved from Hal (“From Hell”) by way of Aral (“Anywhere but Here”), who was a different side of Ross (“Fearless”). But, they share similarities in look, manners, and voice, which unites them in my head, and allows me to jump into their shoes with much more ease than I might be able to do otherwise. Fresh characters, as it were, take much more time for me to grasp. One thing that my husband mentioned to me when he read “Finding Mister Wright” was that the first two acts work really well, but the third needed more time with one of the late-intro’d characters. As it stands, she feels like a plot device, not a person, as the other characters do. I see his point, and I think it’s because when she was originally written, she was still one of those “new” characters. Of course, since then, I’ve written more with her, so, now, it’s a matter of going back and growing her into a person as fully-fleshed as the others.
My main writing project at the moment has a fair amount of deep-and-dark in it, and when I fear I’m becoming a bit too mired in that sort of thing, I need to take a step back with something a bit more light and flighty. Lately, that’s been the cast of misfit characters from “Finding Mister Wright,” my short story/novella from this past winter holiday break.
I usually write for Marshall’s life when I take up these characters again, but, this time, it was Rob who commandeered my brain. What’s funny is that the original story idea I had for these characters centered around Rob, Paige, and Daniel. In my earliest notes, Marshall barely played a role beyond counterpoint to Daniel. Of course, that changed when I finally started putting voices together in my head, and I found Marshall had a (rather significant) story all his own. The relationship story between Rob and his own family took a backseat to that of the Wright brothers, and Marshall and his loves in particular. But, Rob’s story has remained important, at least to me. He’s just as complicated as Marshall proved to be, but in a way that’s somehow more relaxed.
After my husband read “FMW,” he made the comment that he thought all the characters worked for their own reasons, but Rob was his favorite. “At first,” he told me, “you think he’s just one thing. Then, you learn a little more, and he becomes more than that. And then, there’s [a conversation], and you realize, oh, this guy really has three dimensions to him.” While it might have offered me a greater ego boost to hear my main protagonist was my husband’s favorite character, a part of me was really happy that Rob’s original story shone through in his few scenes, to the point where he made an impression on a reader.
A moment of weakness led to this six-pager (it clocks in at around 2,900 words), which I wrote over three commuter train rides and a lunch hour. It’s rough and a bit scattered, but that’s one of the reasons I find free writing so…well, free. No worries over themes, scope, flow, or any of the important parts of a mature work. It’s just my fingers translating for my brain.
“Romance-in-the-Dark” (PDF, 314KB) I hate to have to offer a warning about this, but be aware: the principal romantic relationship depicted in this particular free-write is about two men. There’s nothing explicit herein, but if you’re uncomfortable with the idea, just skip it and watch the lovely lady in the video below, instead.
The whole thing – Rob’s story, the original idea for “Finding Mister Wright,” as well as this free-write – is heavily inspired by the lovely and awesomely talented Catherine Russell’s rendition of Lil Greene’s jazz standard, “Romance in the Dark,” which you can listen to and watch below. It’s a mainstay in my FMW writing playlist, and I usually hit repeat at least once when it comes up in rotation.
Before we get to Ms. Russell, here’s my question for this week: Have you ever had a minor character hijack a story for his or her own? If so, how did the story turn out?