by Mayumi-H | Oct 4, 2014 | Fearless, Finding Mister Wright, From Hell (A Love Story), Uncategorized
Today, I posted the final chapter of my sci-fi western romance, “From Hell: A Love Story.” It’s the third story I’ve finished this year, “Finding Mister Wright” and Fearless being the other two.
I always get a rush of mixed feelings whenever I write the last words to a story. Relief for having reached the finish line, but a sense of sadness, too, at saying goodbye to characters I’ve come to love over the drafting time. Some stories never move much past that first draft, for me, but others find their way to revisions, rewrites, and re-posts. Still others become launching pads for completely different stories…or, the same story woven in a new pattern, as is often the case for me.
My issue at this point is: What do I write next? I’ve got a continuing timeline set up for my sci-fi western characters, but I feel like giving them a rest for a bit. I’ve been doing some off and on revising of Fearless and “Finding Mister Wright” over the last few months, and I’m enjoying revisiting those worlds, but it’s not the same as new writing. It’s been years since I’ve gone without a new writing project, I’m not sure I could handle not having one! The good news, I suppose, is that I’ve got a few twelve-plus-hour plane rides to consider my options (or maybe start playing with that heretofore unknown something new). That’s right – I’m out of here for the next few weeks while I visit my family in Japan. So, I won’t be around to read/comment/blog much or at all. But, don’t worry – I will eat lots of yummy sushi and green tea soft-serve in your honor!
So. I’ve done romance. I’ve done family stories. I’ve done science fiction with a western twist. Maybe it’s time to poke at that detective murder mystery? What do you think? What helps you decide what project to tackle next? Do you rassle your Muse into cooperating, or do you let the faerie ramble?
Woo! Yeah! That’s right: Complete!
On a side note, as many of you know, I recently had a bit of a rough go. Many of you offered kind and supportive words for that, and I have to thank you. Your words really helped me move past what could have been a downturn. Some of you even said saying farewell to one friend would allow me to make room in my writerly life to make new friends…and I did! A mutual love of a shared universe put me in touch with a talented writer with whom I’ve enjoyed some of the best writing conversations about character, plot, and issues that I’ve had in a long time. And it’s felt glorious! The extra-awesome part? This writer is also a visual artist, who has offered to do art of my story, with my original character! I’ve been floating on clouds ever since I heard that. I will share if that’s allowed…but I may want to keep this one to myself.
by Mayumi-H | Sep 27, 2014 | It's My Life
http://www.youtube.com/watch?v=TsoQ945fqkY
I came to a hard decision this week. I walked away from someone I’d considered a friend for half my life. But I’d realized: this so-called friend had no idea who I was.
A few weeks ago, this friend- or, rather, this person was telling me about someone in their family who had started to write an epic fantasy story. He’d step away from the table after dinner, my peer informed me, and say, “I haven’t written today, and I need to sit down for a few hours.” I commended that dedication, because it sounded so familiar to me. Upon being questioned regarding his desire to write a story, the young man informed this person that he wanted to become a rich and famous writer. Then, my long-time acquaintance said, “He’s the only person I know who’s ever been really dedicated to writing.”
I have never been struck so speechless as I’d been at that moment.
I couldn’t believe it: here was someone who’d known me since we were basically kids. I’ve been writing stories through that whole time. But because my end goal isn’t to be rich and famous, I didn’t even register on this person’s radar as a writer, or even a storyteller. That’s when I knew: I might have been a friend to this person for all those years – I’d listened to the school and job and relationship trials and lent the sympathetic ear – but they hadn’t been a friend to me. I’d been merely a project to them, a person to mold in similar image. When I’d gone my own path, when I wasn’t interested in being something they could fix, I wasn’t anything to them any longer.
I don’t have a lot of friends. I’ll miss having one I thought was so close. But, I’ve felt a lot of love around me, especially through this past year. Why waste time on someone who doesn’t have my back?
by Mayumi-H | Sep 20, 2014 | Finding Mister Wright, Short Stories
When I start to feel lost, I write. But, I don’t always want to write for my current project, whatever that may be. For example, I’ve been writing my sci-fi western story for over a year, now. While I’ve enjoyed that story and the way it’s led me up new paths for storytelling, sometimes, I just want to write something simple, something for me. My “Finding Mister Wright” universe allows me that.
This most recent vignette looks at the original Mister Wright, Daniel. Daniel’s story, mainly how he related to the Rob+Paige show, should have been my 2013 NaNoWriMo story. For reasons I won’t go into here, that particular story never came to fruition. It found its way into Marshall‘s story a little bit over a month later, when I wrote what became “Finding Mister Wright” over winter break 2013.
This particular free-write – “Daddies and Daughters” – takes place about a year or so after the last FMW short story (“Romance in the Dark“), for anyone interested or paying attention. It runs about 2500 words, which comes out to 8 1/2 pages in its PDF form:
FMW_Daddies-and-Daughters
As always, the link will take you to the PDF. You are as welcome to read it as you are welcome to skip it. I know I wrote it, and I know I like it, and that’s what matters to me with these free-writes.
My writing is a living, breathing, growing thing. It’s not often I go a day without writing something related to this or that story universe. I’m sure it makes me more than a little bit introverted, more than a little bit selfish, and much more than a little bit obsessive. Yet, in comparison to other ways a person could go, story-making isn’t such a terrible addiction to have. But, I would say that, wouldn’t I?
[Extraneous author’s note: Lilly is named, perhaps subconsciously on Marshall’s part, for Sister Lillian, introduced in the vignette “Namesake.” Marshall first calls Lilly “Lilly-put” (like the Gulliver island, because, like all babies, she’s small) in the vignette “Romance in the Dark.” Here, Paige has shortened that nickname once again to “putt-putt”…which I just found adorable and had to put in. See? Craziness.]
by Mayumi-H | Aug 9, 2014 | Fearless, Finding Mister Wright, From Hell (A Love Story), Process
I got a question about my writing the other day:
Do you picture your characters in your head, do you hear their voices? Do they flesh out the more you entertain them and actually write about them? … Do you even start out with distinct picture of a character/situation that grabs your attention?
Generally speaking, I do have voices for all my characters. They often don’t change, either. And, it helps for me to speak out a conversation when it’s still in the plotting stages as well as after it goes down on paper. If something doesn’t sound natural to me, I spend a lot of time reworking it. Unless it’s plot exposition, though I still prefer that to have a spontaneous rhythm to it. 🙂
My sister has an uncanny audio memory. She’ll hear something once and remember it for years. Even inflections! I’m not that good, but I do think that reworking fiction conversations in my head over and over until they become second nature has helped my character voices a lot. One thing a few recent readers have commented on is that my dialogue flows really well, so I’m proud of that.
Characters become more real for me the more I work with them. I think that probably happens with all writers, though. And, it makes sense. We spend so much time in the heads and hearts of these people, we come to know them better than we know the physical people around us. Likely because we are privy to all the inside thoughts and turmoils. Personally, I project a lot into my characters, though I try to keep some of them to specific boundaries, because they all have different conflicts. (It’s hard to articulate.)
My inspiration often can be traced back to a single face/moment/voice, and, as time goes on, characters develop into their own people. For instance, Daniel (“Finding Mister Wright”) evolved from Hal (“From Hell”) by way of Aral (“Anywhere but Here”), who was a different side of Ross (“Fearless”). But, they share similarities in look, manners, and voice, which unites them in my head, and allows me to jump into their shoes with much more ease than I might be able to do otherwise. Fresh characters, as it were, take much more time for me to grasp. One thing that my husband mentioned to me when he read “Finding Mister Wright” was that the first two acts work really well, but the third needed more time with one of the late-intro’d characters. As it stands, she feels like a plot device, not a person, as the other characters do. I see his point, and I think it’s because when she was originally written, she was still one of those “new” characters. Of course, since then, I’ve written more with her, so, now, it’s a matter of going back and growing her into a person as fully-fleshed as the others.
Do you hear your characters’ voices in your head?
by Mayumi-H | Jul 26, 2014 | Process
No deep thoughts this week. I’m working hard on the ending of my sci-fi western, so I’ll offer this recent conversation with Twitter buddy George McNeese:
(click to enlarge)
George is one of my favorite Twitter users because he always has thoughtful things to say, often about his own writing journey. That usually leads me to think more deeply about my journey, too, even when I’m in a tough place, as I am right now, re-crafting the ending of my current story. Especially when I’m in a tough place.
I write sequentially, which I enjoy doing because the story feels like it has more natural rises and dips that way. It also pre-empts issues like my current one, where the ending I wrote a year ago – the initial impetus for the story entire – doesn’t fit with the story that’s been built to come before it. It’s not the worst place to be, of course: the characters have grown a lot from that initial writing, too far into themselves to make that ending work. I think that’s a good thing. But it also means creating an almost entirely new ending moment that has the same emotional resonance as the one I first wrote 400 days or so ago.
A story needs to be strong on all counts: beginning, middle, and end. Finding that right (write?) balance for us is the tricky bit. What’s your favorite part of the story to write?
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