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I want that love, that life

This is not a real post. I was going to talk about keeping balance in my writerly life, but I can’t manage it right now. This was a rough week all around – at work, at home, in my head – and I just needed to take a break with people who care for and about each other, even if it’s only in my stupid, self-indulgent fiction.

“Two Dads”
[Another “Finding Mister Wright” free write] ~3200 words/10 pages

I wrote this in a day, between work, emails, cooking supper, and everything else, and I’ve never written from Paige’s perspective before, but it’s part of my writing effort and I have to support it for being that. A story based on personal experience, just not the part I would have wanted.

Love and Death and Love Again

I think about death a lot. Not mine, so much, because there’s little point in that. I try to eat well, exercise, look both ways before crossing the street, that sort of thing. Beyond that, we’re all basically at the mercy of fate, and stressing over when my time will be up won’t change the ticking of the clock. I still think about it a lot, though.

I think a lot about love, too. The love between a parent and a child, between siblings, between lovers lucky enough to find each other in a great big world full of so many different individuals. How love can divide but also unite. How its grace can fill our lives with happiness, from the most mundane interactions to the most life-changing.

I also think about love and death together. How one can make the other sweet or terrifying, and how that can go either way, for both. Because I think so much and so often about death and love, they come up again and again in my writing. Sometimes, their place is blatant in a story, sometimes not. I think the former applies to my latest “Finding Mister Wright” short:

“Thirty-Nine”
Another “Finding Mister Wright” story
(PDF will open in a new window; ~2800 words/9 pages DS)

I can’t always explain why I write the stories I do, but this one – looking at aging, love, and death – came to me as I spied a “Frozen”-themed birthday cake in a bakery window and thought about the kids who won’t have another birthday, this year.

I don’t apologize for where this story goes, for the love or the death, because I like to think both make us stronger, in their own ways and eventually. Whether you read the story or not, and whether you agree with me or not, keep in mind the significance of love and death in your own lives, both the fantastic ones you put to the page and the true one you build around you.

How has love or death affected your stories?

First Choices [includes yet another “Finding Mister Wright” free write]

Writing has a lot to do with first choices. We write from the tips of our fingers, trying to get down all the words running in our heads. When we sit back and take a read through what’s on the paper or screen, we can start to second-guess those words. I’ve written enough first drafts – enough words – to know it’s okay to trust my first choices. They’re usually right. But, sometimes, they’re not.

After I’ve finished a story, I’ll let it sit a while. For a short story, maybe a few days; for a novel, sometimes as long as a year or more. When I go back and read it again, it’s easier to see which first choices were right and which ones were, well, not so right as I’d originally thought. That distance is important. It grants us a fresh eye and fresh mind. It also grants us greater honesty with our work. Hopefully, we’ve grown from that first draft, using other stories. The distance, honesty, and experience work together to help us see that draft in a new light. If we’re ready, and inclined, it puts us in a better place to cut, weave, and create a more perfect story than what used to be there.

All of this is just me saying that I’m back in editing mode again. I’ve pulled up Fearless and have started to go through it piece by piece, chapter by chapter, conflict by conflict, to make it a better story than it was, even if it’s never perfect. I loved the story then and I love it still. I’ll likely be doing some more off-the-cuff writing while I edit this time, though, because I learned from the From Hell edit that I get a little lost when I’m not creating anything new. But I’m ready for this next challenge. Let’s see how good my choices were the first time around.

To celebrate this new chapter in my own journey, I pounded out another short-ish free-write set in my “Finding Mister Wright” universe, where the Wrights and McAllisters talk about, fret over, and celebrate their own first (and second) choices.

“First Choices” (~2700 words/9 pages; PDF will open in a new window)

Have you made any first choices lately with your writing?

Fathers of a different sort [AKA, yet another “Finding Mister Wright” free write]

For Father’s Day weekend, we enjoyed good food, good company, and good memories. Of course, I thought a lot about the fathers in my family, but the occasion made me think about my own paternal creations, too.

I’m off to a work conference for this week, so I won’t be around on social media much, but for anyone interested, here’s another short-ish follow-up free write to the last “Finding Mister Wright” vignette, this time with the older dads in that world:

“Push” – another “Finding Mister Wright” free-write [PDF; opens in a new tab]

I don’t know if there are any dads out there who read my blog. If there are, happy day to you!

Down Days (plus a “Finding Mister Wright” short!)

I’d felt pretty down on myself the last few days. It happens: every so often, I look at my various hit statistics and comment numbers, and I start to doubt my skill, especially in comparison to other writers. It always seems like everybody else is getting hundreds of comments and thousands of hits per day, while three likes or just one comment on a story will send me into a dopamine-fueled fit of happiness.

Dopamine_3D_ball

Dopamine, dear dopamine. How do I love thee?

But those low-to-non-existent numbers were dragging me down, so much that I couldn’t even pull it together to put a few words together on the page, no matter how hard I tried. The only thought going through my head was, “I suck.”

Social media is particularly damaging during these downswings, because like-minded individuals tend to cluster together on these outlets, and I’ve never really been a like-minded individual with anybody. I have interest groups and fandoms I follow, but I’ve always been on the fringe of them: the oddball, the rebel, the outcast, the geek. The closest I’ve gotten is with my writer friends, though even they know how weird I am. Of course, all writers are odd, to an extent. I think we have to be, to want to sequester ourselves away to focus on getting just the right phrase down onto a piece of paper. And, to keep doing that over and over until we’re happy with what we have (which is almost never, by the way; there simply comes a time when enough is enough, and we have to let go).

Anyway, while slogging through that quagmire of depressive doubt, a familiar link popped up on my Twitter feed:

whybloghitsdontmatterI’d read Guy’s article on Why Blog Hits Don’t Really Matter before, but it felt serendipitous that I happened to log in to my Twitter and saw it that day. I read it again, and it resonated with me, as it usually does. I talked with a few of my writer friends about it, too, and I remembered (again, because I’m a slow learner) that my writing isn’t about being popular, or publishing books, or trying to make a living from my writing. I already have a job I enjoy, that luckily pays my bills. I self-published my From Hell (A Love Story), and I’ll probably pull together a book of some more stories, but I’m never going to be a “successful” author. And, I’m okay with that. I write because I want to share the unique, silly, sappy, sexy stories inside me. Even if somebody doesn’t look today, they might find a story of mine next week, or next month, or next year. If that story makes them smile, laugh, or think, then it’s done its job. And, I’ve done mine. Once I remembered that, and put that realization back in my heart, I could write again. I sat down and wrote another vignette for my “Finding Mister Wright” universe basically in one go! And, it felt great.

I’m sure I’ll have more down days to come. But when they happen, I’m going to try to remember to look back at this time, when I felt depressed about the ridiculous merry-go-round popularity contests conjured by my defeatist brain, and remind myself why I write what I write, and why I love what I write. You’re welcome to join me, whenever you’re ready.

If you’d like to read the latest “Finding Mister Wright” vignette, you can click the link below; the PDF will open in a new window. Don’t worry – it’s not nearly as raunchy as the last one.

“Synchronicity” – Another “Finding Mister Wright” short story

What techniques or motivations do you use when you doubt yourself?

When Characters Speak

Anyone who’s read my longer works is likely well aware of my penchant for, shall we say, raunchier material. Admittedly, writing sex is a relaxing outlet for me. It puts me in touch with my characters in ways unmatched by any other technique I’ve yet found. But, like in real life, sex isn’t all about the sex, but about what we learn from it.

A few months ago, while I was in the middle of editing, I really wanted to write a sex scene. There’s just something very visceral about the experience of writing two people engaged in the physical act. So, I wrote one, using the characters from my “Finding Mister Wright” universe. At the time, I enjoyed the process: it helped me loose some of my writing energies, and that got me back on-track with the very different chore of editing a long work. But, recently, I went back and read that scene and had a new reaction to it.

I didn’t like it.

I found the progression and action passable, and I liked the ending, but the middle section – the actual sex scene – didn’t sit right with me. I realized it was because it wasn’t true to those characters. I’d forced them into a situation that served my own purposes but didn’t speak from their hearts. And I felt like it showed.

So, I rewrote it. I had to. For them. It’s not like anybody’s going to read the story, but I was compelled to re-imagine and re-do that interaction regardless, because I felt like I wasn’t being true to those characters otherwise. And – and this is going to sound weird and crazy – it felt like they approved. They flowed so much more naturally on the page, with their words and actions, it was like they were speaking not just to me but through me. I often feel my characters’ influence while I’m in the middle of writing a story, but rarely after the fact. That’s how I knew I’d messed up with them. Luckily, they’re generally an easy and forgiving bunch.

I guess the moral of this lesson is that writing is just as much about listening to a story – your characters’ story – as it is about telling it.

EDIT: For anyone interested in reading the story in question, I’m sharing it here as PDF media, which will open in a new window by clicking the link below. Please note that this scene involves two people engaging in sexual situations described in fair detail. Their story tends to run sappy and silly, but if you are at all uncomfortable with or offended by sex, please do not click the link for “Mirror, Mirror,” A “Finding Mister Wright” pre-fic.