…but, for some reason, many of my characters have difficult relationships with their own fathers. It’s the reverse of the Disney Princess situation, where it’s the mothers who are missing (seriously: many Disney Princesses just seem to not have had mothers at all!). In the majority of my stories, main characters challenge their fathers, are estranged from their fathers, their fathers are dead, or some semblance of all three. I honestly don’t know where this particular character detail comes from, since I had a pretty good relationship with my own father, and I honestly did love him. I think the admission of that love is what I’ve enjoyed exploring through these stories of children challenging and reconciling with the patriarchs of their families. Or, maybe it has something to do with the idea of The Patriarch being emotionally removed from his children, so he doesn’t show a lot of love to them. Whatever the reason, the fathers of my characters tend to get the short end of the stick. That must be the reason why, when my characters grow up and have children of their own, they are so determined to be openly loving men to their kids.
Chie, from 1 More Chance!, which I wrote between 2009-2011, rebelled against her father in her choice of boyfriend, but that was a tame conflict compared to the stark animosity Amber showed to her father in Fearless, whose first draft I wrote for NaNoWriMo 2011. Daniel’s conflict with his father, written over the last few weeks
and linked to below, is somewhere in the middle between those two perspectives…and, I have to admit, related to some of my own feelings about my dad, which I haven’t examined too closely since he died in 2014.
[~13K words / 51 pages Calibri DS-
PDF opens in a new window]
This story plays with time in a way I haven’t attempted before, but I’d recently read a novel that jumped back and forth in time in a similar fashion, to share story details between scenes, that I found interesting. I don’t know if I was completely successful in my attempt – I wondered if I should have done more jumping, just to break things up – but I always enjoy writing these characters, and the opportunity felt right.
Two of the guest characters in this story are returns for me, while another is based on a university colleague, and another is an homage to a writer friend’s adventuring archaeologist. I really enjoyed bringing back my own characters into this fold, and I do hope my friends don’t take offense to me envisioning them and their creations in a way that fit into my story. But, that’s the beauty of relationships, right? You never know where they’re going to take you.
On thinking more about it, the challenge of writing this story that I really enjoyed wasn’t so much the technical aspect of skipping around in time or between worlds of my making, but the Daniel character’s uniqueness in this situation, in that he is both a child and a parent, struggling to find the balance between both aspects of himself.
How do your personal relationships with family or friends affect your characters and their stories? Do you ever find yourself writing a little bit about yourself in your stories? From a technical perspective, what are your thoughts on time-jumps in storytelling? I’m happy to hear your answers to any of these questions!
(And, if you’re hearty enough to actually read the story, I’m interested to hear your thoughts about that, too!)